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According to a discussion which took place in Germany in 1912, the fundamental environment for stained-glass making were workshops. It was within various workshops that simple ornamental glazing was put together.
Wojciech Bałus
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The Union of Science and Art: Stained Glass Windows for the South Kensington Museum
This article traces the history of a number of stained glass windows designed for the world’s leading museum of art and design, the South Kensington Museum, which opened in 1857.
Jasmine Allen
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Reframing Stained Glass in Nineteenth-Century Britain: Culture, Aesthetics, Contexts
The introduction to this issue of 19 takes the form of a roundtable discussion between the guest editors Dr Jasmine Allen (The Stained Glass Museum), Dr Gareth Atkins (Queens’ College, Cambridge), and Dr Kate Nichols (Birmingham).
Gareth Atkins +2 more
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The article is devoted to the study of the 1678 Wedding Stained Glass of Rudolf Kesler and Maria Magdalena von Diesbach from the collection of the State Hermitage Museum (St. Petersburg, Russia), which has survived to this day.
Platonov Dmitry D.
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In the afterword to this issue, Isobel Armstrong reflects on a phenomenology of nineteenth-century stained glass.
Isobel Armstrong
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Stained glass windows are a precious heritage to pass on to future generations. However, medieval stained glass windows are particularly altered due to their chemical composition and the effects of climatic (mainly water and temperature), environmental ...
Aurélie Verney-Carron +11 more
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An invited contribution to a special issue, 'Victorian Things: A Forum on Material Obects', this article discusses the material nature of a specific stained glass window, emphasising the complex composite nature of the object and the ways that amateur stained glass makers struggled with this intricate process.
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Colonial Themes in Stained Glass, Home and Abroad: A Visual Survey
This photoessay presents a number of carefully chosen images of stained glass, found both in Britain and its former colonial empire, in order to provide an impression of the range and type of window that engaged colonial/imperial subject matter during ...
G. A. Bremner
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Semi-automated modeling of combined stained glasses
The possibility of forming an algorithm that allows creating computer projects of stained glass paintings by a semi-automated tool is being investigated. The purpose.
Andrii Petrushevskyi
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Over the last decade, hyperspectral imaging has become a popular technique for the non-invasive identification and mapping of painting materials in many typologies of artworks, thanks to the possibility of obtaining spectral information over the spatial ...
Agnese Babini +4 more
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