Results 31 to 40 of about 374,570 (161)

Maria Magdalena Łubieńska (1833–1920) – an emancipated female artist

open access: yesSacrum et Decorum, 2014
Maria Magdalena Łubieńska née Countess Łubieńska (1833–1920), an amateur painter, author of oil paintings, watercolours and drawings, forced by the circumstances of life to found in 1867 the School of Drawing and Painting and then, in 1878, “Painting ...
Danuta Czapczyńska-Kleszczyńska
doaj  

Design of Alternatives to Stained Glass with Open-Source Distributed Additive Manufacturing for Energy Efficiency and Economic Savings

open access: yesDesigns
Stained glass has played important roles in heritage building construction, however, conventional fabrication techniques have become economically prohibitive due to both capital costs and energy inefficiency, as well as high-level artistic and craft ...
Emily Bow Pearce   +2 more
doaj   +1 more source

The activity of Franciszek Białkowski and Władysław Skibiński. A contribution to the research on the work of Warsaw stained-glass studios

open access: yesSacrum et Decorum, 2013
In 1902, a stained glass studio was established in Warsaw by Franciszek Białkowski and Władysław Skibiński. The cooperation between them soon ran its course and by1905, the two artists were already running two independent companies, producing stained ...
Danuta Czapczyńska-Kleszczyńska
doaj  

The effect of corrosion on stained glass windows

open access: yesMateriales de Construccion, 1996
Stained glass windows belong to the most important cultural heritage of Europe. Within the last decades a disastrous deterioration took place. The wonderful stained glass windows and their glass paintings as pieces of art are acutely menaced by ...
Johanna Laissner
doaj   +1 more source

History of materials: a new tool for conservation of glass and ceramics

open access: yesCeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2017
This poster features ongoing studies focused on the materials used in glass and ceramic conservation. In the glass field they are related to painting materials used in stained glass, mainly production and compatibility of grisaille paint layers and ...
Carla Machado   +3 more
doaj   +1 more source

Castro et le défi du vitrail

open access: yesIn Situ, 2009
This article is based on the study of a commission for stained glass by the Museum of Saint-Lô (Manche), awarded to Sergio de Castro in 2008. The article takes a look at this artist’s methods in the field of stained-glass creation. Between 1956 and 1959,
Véronique David
doaj   +1 more source

Weathering effects on materials from historical stained glass windows

open access: yesMateriales de Construccion, 2003
A selection of materials (stained glasses, lead cames, support elements and putty) from historical stained glass windows of different periods (13th-19th centuries) have been studied.
M. García-Heras   +3 more
doaj   +1 more source

Chronologie de la renaissance du vitrail à Paris au XIXe siècle : L’exemple de l’église Saint-Laurent

open access: yesIn Situ, 2012
The Saint-Laurent church in Paris is a good example of how stained glass witnessed a renaissance during the nineteenth century. Three commissions signed between 1846 and 1888 with stained glass artists of renown bear witness to the evolution of this art ...
Laurence de Finance
doaj   +1 more source

Recovered or Perfected: The Discourse of Chemistry in the Nineteenth-Century Revival of Stained Glass in Britain and France

open access: yes19, 2020
The science of chemistry revitalized the art of stained glass in nineteenth-century Europe, recovering old techniques, developing new materials, and discovering new artistic methods.
Thea Goldring
doaj   +2 more sources

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