Results 131 to 140 of about 313,004 (342)

Of Coase and Comics, or, The Comedy of Copyright [PDF]

, 2009
This Essay responds to There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, by Dotan Oliar and Christopher Sprigman.
Madison, Michael J
core  

Disclosure, disbelief, enclosure: listening with precarious kids in London Témoignage, incrédulité, enfermement: écouter les enfants en situation de précarité à Londres

Journal of the Royal Anthropological Institute, EarlyView.
This article interrogates the role of testimonial disclosure as a mechanism of access and a barrier to visibility for marginal people, particularly adolescents, in the UK. Drawing on ethnographic fieldwork conducted between 2021 and 2024 in alternative educational provision (AP), as well as in English for Speakers of Other Languages (ESOL) classes ...
Kelly Fagan Robinson
wiley   +1 more source

The Stereotype of Indo-Chinese Portrayed in Ernest Prakasa’s Stand-up Comedy Material

Komunika
Stand-up comedy has emerged as a dynamic medium within the media industry, capturing the interest of both comedians and audiences alike. In Indonesia, it serves not only as a form of entertainment but also as a cultural platform to reflect and critique ...
Lambok Hermanto Sihombing
doaj   +1 more source

KEEFEKTIFAN MEDIA TAYANG “STAND UP COMEDY” DALAM PEMBELAJARAN MENGONVERSI TEKS ANEKDOT : Kuasi Eksperimen pada Siswa Kelas X SMA Negeri 13 Bandung Tahun Ajaran 2014/2015 [PDF]

, 2014
Penelitian ini berjudul KEEFEKTIFAN MEDIA TAYANG “STAND UP COMEDY” DALAM PEMBELAJARAN MENGONVERSI TEKS ANEKDOT (Kuasi Eksperimen pada Siswa Kelas X Sman 13 Bandung Tahun Ajaran 2014/2015).
Amalina, Riska Nur
core  

Improv, Stand-Up, and Comedy [PDF]

, 2021
openaire   +2 more sources

Shameful or shameless? Anxieties about mothers and women's autonomy on the Central African Copperbelt, 1956–1964

Gender &History, EarlyView.
Abstract This article deals with anxiety about and the shaming of modern urban mothers and wives on the mines of the late colonial Central African Copperbelt. Women's various labours and public presence lead to ambivalent depictions, such as the ‘careless mother’, that were part of a broader array of anxieties about women's autonomy on the mines ...
Stephanie Lämmert
wiley   +1 more source

Just Because You\u27re Offended Doesn\u27t Mean You\u27re In The Right: A Perspective on Language, Comedy, and Ethics

, 2013
Some humor is offensive, but does this convey a moral constraint on what comedians can include in their jokes? Using stand up bits and reflections on comedy from George Carlin, Louis C.K., and Doug Stanhope, various philosophies of humor, and the ...
Garrett, James H.
core  

Majas di Panggung Komedi: Penggunaan Majas dalam Materi Stand-up Comedy Norah Yang (杨梦琦)

Jurnal Cakrawala Mandarin
: Stand-up comedy is a modern form of oral literature that has been evolving since the 19th century in America. Norah Yang ( 杨梦琦 ) is one of the Chinese stand-up comedians who introduced stand-up comedy as a new form of comedy performance in China.
Senia Nefalina, R. M. Delijar
semanticscholar   +1 more source

‘Expression is power’: Gender, residual culture and political aspiration at the Cumnock School of Oratory, 1870–1900

Gender &History, EarlyView.
Abstract This article investigates the ways in which late‐nineteenth‐century students at Northwestern University's Cumnock School of Oratory mobilised elocution training and parlour performance to foster mixed‐gender public discourse. I use student publications to reconstruct parlour meetings in which women and men adapted traditions of conversational ...
Fiona Maxwell
wiley   +1 more source

PERMAINAN BAHASA KOMIKA RIDWAN REMIN DALAM ACARA GRAND FINAL STAND UP COMEDY INDONESIA (SUCI) 7

BASINDO: Jurnal Kajian Bahasa, Sastra Indonesia, dan Pembelajarannya, 2019
Penelitian ini menggunakan pendekatan kualitatif dan jenis penelitian deskriptif dengan orientasi teori pragmatik. Penelitian ini menganalisis permainan bahasa oleh Ridwan Remin (RR).
Zuni Lilaifi
doaj