Results 281 to 290 of about 313,004 (342)

Kritik Politik dengan Menggelitik: Analisis Retorika Penampilan Stand-up Comedy Pandji Pragiwaksono

Jurnal PIKMA : Publikasi Ilmu Komunikasi Media Dan Cinema
Stand-up comedy mulai berkembang dan mendapat tempat tersendiri di panggung hiburan Indonesia. Sebagai media komunikasi, stand-up comedy turut menghadirkan berbagai muatan pesan termasuk pesan politik.
Wahyu Gilang Putranto, Sri Hastjarjo, M. Anshori   +2 more
semanticscholar   +1 more source

Humor and Critical Literacy: Exploring Stand-Up Comedy in Indonesian Language Education

JURNAL TAHURI
This study investigates the potential of stand-up comedy as a pedagogical strategy for enhancing critical literacy in Indonesian language classrooms. Unlike conventional literacy practices that emphasize technical reading and writing skills, stand-up ...
Aisyah Nimatul Azizah, Putri Maharani
semanticscholar   +1 more source

Playing to the out-group: discovering stand-up comedy’s ‘other’ audiences

Comedy Studies
Until recently, live joke performances heavily relied on the physical co-presence of comedians and audiences. This mostly exclusive and bounded space facilitated in-group scenarios usually haunted by out-group persons who, though physically absent, are ...
Signy Lynch, Izuu Nwankwọ
semanticscholar   +1 more source

Stand-up Comedy and Contemporary Feminisms

2023
What are the barriers to women’s participation in live comedy, and how these barriers are maintained in the digital era? In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene still reflects wider societal stereotypes about the ...
openaire   +1 more source

Embodying wilfulness: Investigating the unequal power dynamics of informal organisational body work through the case of women in stand-up comedy

Human Relations
Women who step into the spotlight may be burdened with managing their sexualised bodies, unlike men. This is true also in stand-up comedy, where more women than ever are entering the field.
E. Jammaers, Dide van Eck, Silvia Cinque
semanticscholar   +1 more source

Timings: Notes on Stand-up Comedy

The Philosophy of Humor Yearbook, 2020
Abstract This article attempts to provide a basic characterization of stand-up comedy—that is, a minimal portrait of what comes to mind when one learns that one is about to see a stand-up comic. To that end, the focus will be primarily on the relation of stand-up comedy in terms of themes of temporality, including the structure of stand ...
openaire   +1 more source

Stand-up, Comedy und Kabarett

2017
Der gegenwartige Erfolg von Stand-up-Comedy manifestiert sich beispielsweise an einem Auftritt von dem erfolgreichen Komiker Bulent Ceylan vor 42.000 Zuschauern in der ausverkauften Commerzbank-Arena in Frankfurt am Main am 02.06.2012. Einen Vergleich zu der Komik fruherer Zeiten stellt er auf der Buhne wahrend seines humorvollen Auftrittes innerhalb ...
openaire   +1 more source

Stand-Up Comedy and Addressivity

2016
This chapter highlights the linguistic value of addressivity in two Youtube downloads of Joan Rivers' stand-up comic performance, Live at the Apollo. Despite the devotion of the six articles of Comedy Studies 2(2) to analyses of the data, very little was said about the linguistic content and identity of the performance.
openaire   +1 more source

Stand-up Comedy in India: Redefining Freedom of Expression Beyond Mainstream Media’s Reach

Journal of Asian and African Studies
This paper explores how stand-up comedy serves as a platform for political criticism in India, focusing on comedians Varun Grover, Vir Das, and Kunal Kamra. It aims to understand their perspectives on government actions through their performances.
Abdul Fahad, S. E. Mustafa
semanticscholar   +1 more source

The Professionalisation of Stand-Up Comedy

2018
This chapter explores the contemporary institutional realities and obligations which stand-up comedians are under. These realities are sociologically explored in relation to wider, societal processes of ‘professionalisation’: stand-up comedy claims an exclusive jurisdiction for itself – the ability to know and produce a belief in the ‘funniness’ of the
  +4 more sources