Results 111 to 120 of about 272 (172)
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Stanislavski Studies, 2020
There are a number of remarkable things about Maria Shevtsova’s new book. One is that it is a work of love and dedication, full of depth and breadth in the scope of her fresh and detailed research ...
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There are a number of remarkable things about Maria Shevtsova’s new book. One is that it is a work of love and dedication, full of depth and breadth in the scope of her fresh and detailed research ...
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2018
This chapter explores the contemporary actor’s predisposition to couple Aristotelian analysis with acting techniques that draw upon Stanislavski’s early pedagogic experiments, rather than insights and practices derived from his ongoing, psychophysical explorations (or subsequent integrative training systems) to the multiple challenges of acting tragedy.
Zachary Dunbar, Stephe Harrop
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This chapter explores the contemporary actor’s predisposition to couple Aristotelian analysis with acting techniques that draw upon Stanislavski’s early pedagogic experiments, rather than insights and practices derived from his ongoing, psychophysical explorations (or subsequent integrative training systems) to the multiple challenges of acting tragedy.
Zachary Dunbar, Stephe Harrop
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2014
Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied.
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Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied.
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Stanislavski and the Playwright
The Tulane Drama Review, 1958No name in acting is accorded the reverence by the American theatre as is Stanislavski's. He has been the high priest of American acting since the 1930's when the Group Theatre incorporated his system into their program; and today, a modified Stanislavski System is central to the “Method” of the Actor's Studio.
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Stanislavski Studies, 2017
The aim of this book is to offer a comparative reading of the Stanislavsky System and Yogi Ramacharaka’s books, which were an important source for Stanislavsky.
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The aim of this book is to offer a comparative reading of the Stanislavsky System and Yogi Ramacharaka’s books, which were an important source for Stanislavsky.
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Stanislavski and the Actor, and: Stanislavski in Rehearsal (review)
Theatre Journal, 2000openaire +1 more source