Results 131 to 140 of about 2,948 (202)
Cannes Castoffs? The 62nd Edinburgh International Film Festival [PDF]
Br J Gen Pract, 2008 europepmc +1 more source
, 2014 Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied.
John Gillett
openaire +2 more sources
Stanislavski on Stage: The Benedetti Legacy [PDF]
Stanislavski Studies, 2015 The foundation in 2007 of The Stanislavski Centre, the parent organization of the Stanislavski Studies journal, came about directly through the work of the late Professor Jean Benedetti (1930–2012) which originated when he was the Principal of Rose ...
Dunne, J.
exaly +2 more sources
Some of the next articles are maybe not open access.
Related searches:
Related searches:
2018
This chapter explores the contemporary actor’s predisposition to couple Aristotelian analysis with acting techniques that draw upon Stanislavski’s early pedagogic experiments, rather than insights and practices derived from his ongoing, psychophysical explorations (or subsequent integrative training systems) to the multiple challenges of acting tragedy.
Zachary Dunbar, Stephe Harrop
openaire +1 more source
This chapter explores the contemporary actor’s predisposition to couple Aristotelian analysis with acting techniques that draw upon Stanislavski’s early pedagogic experiments, rather than insights and practices derived from his ongoing, psychophysical explorations (or subsequent integrative training systems) to the multiple challenges of acting tragedy.
Zachary Dunbar, Stephe Harrop
openaire +1 more source
Stanislavski and computer science
ACM SIGCSE Bulletin, 2005Computer science concepts can be difficult for new students to grasp fully. As educators, we look for ways to give our students not only an understanding of a concept but also insight. In the acting profession, actors face a similar situation where they need to understand their characters in depth.
openaire +1 more source
The Slavic and East European Journal, 2000
Introduction to the series. List of plates. Acknowledgements. A Note on Transliteration and Translation. Introduction. Part I Transmission. Chapter 1 From Moscow to New York. Chapter 2 New York Adopts Stanislavsky. Part II Translation . Chapter 3 The Classroom Circuit. Chapter 4 The Publication Maze. Part III Chapter 5 Stanislavsky's Lost Term. Chapter
Nicholas Rzhevsky +3 more
openaire +1 more source
Introduction to the series. List of plates. Acknowledgements. A Note on Transliteration and Translation. Introduction. Part I Transmission. Chapter 1 From Moscow to New York. Chapter 2 New York Adopts Stanislavsky. Part II Translation . Chapter 3 The Classroom Circuit. Chapter 4 The Publication Maze. Part III Chapter 5 Stanislavsky's Lost Term. Chapter
Nicholas Rzhevsky +3 more
openaire +1 more source
Stanislavski Studies, 2020
There are a number of remarkable things about Maria Shevtsova’s new book. One is that it is a work of love and dedication, full of depth and breadth in the scope of her fresh and detailed research ...
openaire +1 more source
There are a number of remarkable things about Maria Shevtsova’s new book. One is that it is a work of love and dedication, full of depth and breadth in the scope of her fresh and detailed research ...
openaire +1 more source
2001
A rare insider's account of the true story behind the development of the famous Stanislavski method. Vasili Toporkov was one of the rare outsiders ever to be invited to join the Moscow Art Theatre. Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. Stanislavski
openaire +1 more source
A rare insider's account of the true story behind the development of the famous Stanislavski method. Vasili Toporkov was one of the rare outsiders ever to be invited to join the Moscow Art Theatre. Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. Stanislavski
openaire +1 more source
TDR/The Drama Review, 2008
While it has its origins in a talk given at the Brooklyn Academy of Music in February 1969, this key essay has never previously appeared in English. Publications in Italian, Polish, and Spanish, however, have ensured the circulation of this historically crucial text in European and South American theatre culture, resulting in a far more accurate ...
openaire +1 more source
While it has its origins in a talk given at the Brooklyn Academy of Music in February 1969, this key essay has never previously appeared in English. Publications in Italian, Polish, and Spanish, however, have ensured the circulation of this historically crucial text in European and South American theatre culture, resulting in a far more accurate ...
openaire +1 more source