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En esta nueva emisión de Más allá de la red, programa realizado por la Biblioteca Fundadores de la Universidad CES, contamos con la compañía de Stiver Peña, perteneciente al equipo de cultura de Comfama, con quien hablamos sobre Storytelling de Comfama ...
CES radio
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The Research on the Portrayal of Characters in the Movie I Love Lucy by Using Industry Multi-Camera Approaches [PDF]
The portrayal of characters in television shows has a significant impact on captivating audiences and shaping their overall viewing experience. Characters are essential elements that draw viewers into the narrative and make them emotionally invested in ...
Zhang Junyi
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There is a growing interest in different forms of participatory modeling that bring science and lay knowledge into the same space. This recognizes that, traditionally, the environmental science community has mostly seen stakeholder engagement as a ...
Antonia Liguori +3 more
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Commento a: Intervista a Corrado Pontalti in dialogo con Fabio Vanni
Non ...
Alessandro Ciardi
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Where there's smoke: digital storytelling for healing
Columbia University School of the Arts’ Digital Storytelling Lab, in collaboration with Columbia’s Department of Narrative Medicine, developed Where There’s Smoke, a story and grief ritual that mixes interactive documentary, immersive theatre and online
Deborah Starr, Lance Weiler
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Counter-Archive as Methodology
Remembering Refuge: Between Sanctuary and Solidarity is a counter-archive based on oral history interviews with people who crossed the Canada-US border to seek refuge and advocacy groups working at this border in two moments of crisis: the 1980s Central
Johanna Reynolds, Grace Wu, Julie Young
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Tragedy of Errors at Warp Speed: The 2019 Unrest
The 2019 unrest in Hong Kong was the result of complex factors simmering over the years, culminating in a tragedy of errors unreeling at warp speed.
Sam Ho
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Algorithmic Audiences, Serialized Streamers, and the Discontents of Datafication
This article addresses streaming television platforms’ reliance on algorithms, serial narratives, and user interfaces and the effect of these strategies on the television viewing audience.
Anne Gilbert
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“American Factory” and the Difficulties of Documenting Neoliberalism
Steven Bognar and Julia Reichert’s documentary American Factory, a project purchased by Netflix and distributed by Barack and Michelle Obama’s Higher Ground Productions, won the Oscar for Best Documentary Feature at the 92nd Academy Awards in 2020. It is
Peter Hitchcock
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Emotion-driven interactive storytelling. [PDF]
Interactive storytelling has attracted plenty of research interest in recent years. Most current interactive storytelling systems follow a goal-oriented approach to story representation, i.e. the user is engaged with the story through fulfilling a number
Zhao, Huiwen
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