Results 51 to 60 of about 573 (157)

ENGAGEMENT IN BRIEFEN: FANNY TARNOWS TEILHABE AN DEN EREIGNISSEN VON 1848/49 ANHAND IHRER KORRESPONDENZ AUS DEN 1830ER UND 1840ER JAHREN

open access: yesGerman Life and Letters, Volume 77, Issue 3, Page 315-331, July 2024.
Abstract In the time preceding, during, and following the revolution in France, Germany, and other European nations in 1848/49, numerous women writers actively participated in the fight for freedom and democracy. However, their involvement manifested in diverse forms.
Renata Dampc‐Jarosz
wiley   +1 more source

DIE REFLEXIVIERUNG IM EINFACHEN SATZ DES DEUTSCHEN UND KROATISCHEN [PDF]

open access: yesHum, 2010
Das Reflexivpronomen nur der 3. Person im Dativ und Akkusativ sich stellt semantisch eindeutig die Referenzidentität mit dem Subjekt des Satzes her, da die Pronomen „seiner“ und „ihrer“ ambivalent sind bzw. sie können die Referenzidentität anstatt mit
Senka Marinčić
doaj  

“Wie alles sich zum Ganzen webt, / Eins in dem andern wirkt und lebt!”: Goethe's Faust I as aesthetic experiment

open access: yesThe German Quarterly, Volume 97, Issue 3, Page 319-336, Summer 2024.
Abstract Goethe's Faust I stages an aesthetic experiment akin to the theoretical program of Schiller's Über die ästhetische Erziehung des Menschen: an education of the senses through art, an aesthetic education, in both meanings of the word. The play self‐reflexively presents itself as presenting a new aesthetic: a new sensory experience and a new type
Martha B. Helfer
wiley   +1 more source

Queerness, Affekte und Eigensinn in Grimmelshausens Courasche (1670)

open access: yesThe German Quarterly, Volume 97, Issue 2, Page 130-149, Spring 2024.
Abstract Ausgehend von der Überlegung, dass Grimmelshausens Courasche (1670) trotz einer konservativen Botschaft ein epistemisch subversives Sujet bietet, analysiert der Beitrag den Roman mithilfe von Sara Ahmeds queerer Affekttheorie. Grimmelshausens Protagonistin geht einen bösen Weg, der sie weit von den vorgeschriebenen Pfaden der christlichen ...
Alrik Daldrup
wiley   +1 more source

ŠTO SUBJEKT I PREDIKAT ZNAČE

open access: yesRasprave Instituta za Hrvatski Jezik i Jezikoslovlje, 1999
Kao sintaktičke kategorije gramatičkoga rečeničnog ustrojstva subjekt se i predikat, uz već postojeću definiciju po gramatičkim svojstvima oblika kojima se subjekt i predikat izriču, u ovom tekstu definiraju i po semantičkim svojstvima oblika kojima su ...
Mirko Peti
doaj  

Jeget og dets bilder

open access: yesEdda
Gjennom lesning av et representativt og lite kommentert dikt vil artikkelen vise sammenhengen mellom formell nyskapelse og tematikk i Jan Erik Volds tidlige forfatterskap.
Andreas G. Lombnæs
doaj   +1 more source

Reading Wolfgang Herrndorf's Tschick (2010)

open access: yesDie Unterrichtspraxis/Teaching German, Volume 57, Issue 1, Page 71-86, Spring 2024.
Abstract This article highlights how Wolfgang Herrndorf's bestselling novel Tschick (2010) is particularly well suited for advanced courses focused on cultural and linguistic enrichment. Herrndorf's Tschick, I argue, facilitates interaction, engagement, and individual interpretation; is linguistically accessible because of its use of high‐frequency ...
Brigitte Rossbacher
wiley   +1 more source

Metafyzika subjektivity a života

open access: yesEnvigogika, 2008
Recenze publikace: Slavoj Žižek - Nepolapitelný subjekt. Chybějící střed politické ontologie, přel. M. Hauser, Nakladatelství L. Marek, Chomutov 2006, 440 s.
Jiří Olšovský
doaj   +1 more source

Gajdoš, M. – Konečný, S. Ukrajinská menšina na Slovensku ako objekt a subjekt politiky. III. (1954–1960). IV. (1954–1960)

open access: yesPrávněhistorické studie, 2020
Book review: Gajdoš, M. – Konečný, S. Ukrajinská menšina na Slovensku ako objekt a subjekt politiky. III. (1954–1960). IV. (1954–1960). Prešov: Pre Spoločenskovedný ústav SAV v Košiciach vydalo UNIVERSUM-EU, 2018, 162 s. (III.); 2019, 247 s. (IV.).
René Petráš
doaj   +1 more source

VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*

open access: yesGerman Life and Letters, Volume 77, Issue 1, Page 125-145, January 2024.
ABSTRACT Drawing on Jacques Rancièreʼs radical democratic concept of dissensus, my article centres on the epistemic, affective and verbal forms of resistance depicted in Sharon Dodua Otooʼs debut novel Adas Raum. In four diegetic narrative strands, a police order of the visible and the sayable damages and assimilates the characters’ lives. According to
Alrik Daldrup
wiley   +1 more source

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