Results 1 to 10 of about 695 (68)
A Supercut of Supercuts: Aesthetics, Histories, Databases
The genealogies of the supercut, which extend well past YouTube compilations, back to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde experimentation into mass entertainment, but rather the material expression of a ...
Andrew Max Tohline
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Data-Driven Curated Video Catalogs: Republishing Video Footage
This project illustrates data-driven curated video catalogs as an approach for the analysis of video footage. Having rich and diverse collections of videos as inputs, data-driven catalogs seek to identify common objects and reorganize them into thematic ...
Gabriele Colombo, Federica Bardelli
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Creanalytics: Automating the supercut as a form of critical technical practice
Based on the notion of critical technical practice and its resonances with recent debates in digital film and media scholarship, in this article I outline a type of computational practice that aims to couple the relational-analytic powers of machine learning with the explanatory-creative powers of visual narrative.
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SuperCUT, an unsupervised multimodal image registration with deep learning for biomedical microscopy [PDF]
Abstract Numerous imaging techniques are available for observing and interrogating biological samples, and several of them can be used consecutively to enable correlative analysis of different image modalities with varying resolutions and the inclusion of structural or molecular information.
Istvan Grexa +10 more
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Mi vida criminal en dos horas: Breaking Bad, 'supercuts' y el montaje audiovisual como reimaginación
En estas últimas semanas ha llamado la atención entre los internautas aficionados al cine y las series la noticia de una película sobre la prestigiosa serie de AMC Breaking Bad (2008-2013). La particularidad es que no se trata realmente de un nuevo film, sino de un ambicioso y complejo proyecto de montaje de dos cineastas y fans franceses para ...
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Chenfeng Zhao +2 more
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This video essay explores the enticement and anxiety of onscreen computers across a range of films and television programmes. The onscreen computer is a frequent prop of dystopian fiction within the sci-fi genre, often presented as an allure that promises increased power or knowledge balanced by the anxiety of technophobic otherness.
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The Last Common Ancestor of Most Bilaterian Animals Possessed at Least Nine Opsins. [PDF]
Ramirez MD +6 more
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Enhancing surgical safety through surgical instruments repair technicians' training: recent experience from Nigeria. [PDF]
Udeigwe-Okeke CR +5 more
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