Results 21 to 30 of about 36,659 (251)
Positivism, Impressionism and Magic: modifying the modern canon in America and France from the 1940s [PDF]
Journal of Art Historiography, 2017 This article narrates for the first time the competing views over Impressionism in America and France in the 1940s and 1950s, between modernist art history led by Clement Greenberg, on the one hand, and Surrealism led by André Breton, on the other.
Gavin Parkinson
doaj
The ‘Continuing Misfortune’ of Automatism in Early Surrealism
communication +1, 2015 In the 1924 Manifesto of Surrealism surrealist leader André Breton (1896-1966) defined Surrealism as ‘psychic automatism in its pure state,’ positioning ‘psychic automatism’ as both a concept and a technique.
Tessel M. Bauduin
doaj +1 more source
VIEW Journal of European Television History and Culture, 2021 This article delves into Michaela Coel’s Chewing Gum, examining how the cultural text builds upon Black feminist media discourse, and intimately grapples with the nuances of Black women’s sexuality while explicitly challenging misogynoir. This work
Jeanelle Kevina Hope
doaj +1 more source
21: Inquiries into Art, History, and the Visual, 2022 In the 1920s the quattrocento Italian painter Paolo Uccello was appropriated as a precursor of Surrealism in the French surrealist discourse, a process that continued and became international in the 1930s.
Tessel M. Bauduin
doaj +1 more source
Dream-work: Surrealism and Revolutionary Subjectivity in André Breton and Georges Bataille
Australian and New Zealand Journal of European Studies, 2021 This paper explores a polemic between André Breton and Georges Bataille around the question of the politics of the avant-garde. Focussing on texts composed in the late 1920s, principally Breton’s Second Manifesto of Surrealism and Bataille’s ‘The “Old ...
Rory Dufficy
doaj +1 more source
Surrealist networks: Post Surrealism and Helen Lundeberg
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2017 This paper demonstrates how surrealist aesthetics spread to the United States from Europe through a system of cultural and social networking, and hence emerged in southern California in the mid-1930s, years before the usual dating of the aesthetic in the
Ilene Susan Fort
doaj +1 more source
Abstract surrealism: the New York Schoolers’ ‘Personalized Surrealism’
Journal of Aesthetics & CultureDrawing from New York School artists’ witness accounts, correspondence, and archival records from lesser-consulted New York gallery archives (e.g. Hugo Gallery, Iolas Gallery, etc.), this paper challenges recent retellings that abdicate witness accounts ...
Ekin Erkan
doaj +1 more source
, 2016 To facilitate computer analysis of visual art, in the form of paintings, we introduce Pandora (Paintings Dataset for Recognizing the Art movement) database, a collection of digitized paintings labelled with respect to the artistic movement.
Boia, Raluca +5 more
core +1 more source
„Lidská psycha je internacionální.“ K surrealismu a české dobové debatě
Acta Universitatis Carolinae: Philosophica et HistoricaOn the front page of the Czech-French International Bulletin of Surrealism, published in spring 1935 by the Surrealist Group in the Czechoslovakia in direct collaboration with André Breton and Paul Eluard, Vítězslav Nezval stressed the international ...
Lenka Bydžovská
doaj +1 more source
Fantastic art, Barr, surrealism [PDF]
Journal of Art Historiography, 2017 In 1936 Alfred Barr, jr., curator-director of the Museum of Modern Art, New York, organised the first large-scale American show about dada and surrealism, which he named Fantastic Art, Dada, Surrealism.
Tessel M. Bauduin
doaj