Results 31 to 40 of about 36,659 (251)
Transitions in the Avant-garde
Written on the cusp between two movements, El Incongruente by Ramon Gómez de la Serna eloquently illustrates the transition between Dada and Surrealism. Utilising key Dadaist principles – such as the renunciation of logic, chance combinations of chapters
Emma Wadsworth-Jones
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The approach of Octavio Paz to Surrealism, which initially after a total disapproval becomes evident in the book of poems of Libertad bajo palabra from 1949, is well known.
Klaus Meyer-Minnemann
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From France to Japan : migration of the surrealist ideas and its influence on Japanese avant-garde film [PDF]
When in 1920s Surrealism appeared on the Japanese ground it was just after publishing the famous Surrealists Manifesto by André Breton. The creators of Surrealism, who brought attention to the power of unconsciousness and made the understanding of the ...
Kiejziewicz, Agnieszka
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Artificial Creativity and Human Fragility
Abstract This article critiques the widespread assumption that generative AI systems exhibit genuine artistic creativity. While such systems can produce novel and aesthetically appealing outputs, assessments based solely on results obscure fundamental differences between human and artificial agents.
Johanna Merz
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On “sensibility”: art, art criticism and Surrealism in New York in the 1960s [PDF]
This article details and analyses the uses of the term ‘sensibility’ in New York art circles in the 1960s with the aim of showing the inevitable inconsistency that surrounded that term given the rebirth of Surrealism in that decade.
Gavin Parkinson
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On the necessity of wonder: how to explain an artwork to a committee [PDF]
This essay emerged from an exhibition in 2006 in which notions of the Wunderkammer became central in the curation of the show. It brought together work by Anna Boggon, Silke Dettmers and Helen Maurer, three artists employing the language of what one ...
Dettmers, Silke
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Text as tape: On the voice in the late prose of Friederike Mayröcker
Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
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We are the world? Anthropocene cultural production between geopoetics and geopolitics [PDF]
The article argues that the work of literary theorist Mikhail M. Bakhtin presents a starting point for thinking about the instrumentalization of climate change.
Last, Angela
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Abstract It is widely accepted that Henri Lefebvre's Marxism had anarchistic traits, but few have tried to specify what these traits are, or what they mean. This paper argues that Lefebvre's work should be seen as first and foremost an anti‐authoritarian theory that uses space, rather than a spatial theory.
Hamish Kallin
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“Flora and Fauna” of Çocuktaki Bahçe: An Aesthetics of Vitality from Childhood to Old Age
This article examines Feyyaz Kayacan’s Çocuktaki Bahçe (The Garden in the Child) in relation to his connection with Surrealism. Çocuktaki Bahçe is the only novel of Kayacan, who is known fundemantally with his short stories in Turkish literature ...
Hivren Demir Atay
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