Results 51 to 60 of about 34,444 (227)

Reflections on Simon Hantaï: Daniel Buren in conversation with Daniel Sturgis, Varennes-Jarcy, 23 September 2014 [PDF]

open access: yes, 2015
This essay, in the form of a conversation between Daniel Buren and Daniel Sturgis, reflects upon Daniel Buren’s friendship and respect for the work of Simon Hantaï.
Sturgis, Daniel
core   +1 more source

The interrupted world: Surrealist disruption and altered escapes from reality [PDF]

open access: yes, 2020
Following Breton’s writings on surreality, we outline how unexpected challenges to consumers’ assumptive worlds have the potential to alter how their escape from reality is experienced.
Cronin, James   +2 more
core   +2 more sources

A century of art dealing in New York. The rise of American art

open access: yesThe Economic History Review, Volume 79, Issue 1, Page 281-311, February 2026.
Abstract We study art trade in New York between 1870 and 1970, analysing returns on investment by the renowned Knoedler gallery to shed light on the evolution of the American art market. A generalist art gallery should allocate investments to equalize expected returns, with differences in effective returns depending on purchase prices, number of traded
Federico Etro, Elena Stepanova
wiley   +1 more source

Chemical Aspects Influencing Crack Formation in Black‐and‐White Oil‐Based Paints: Study of Five Spanish Abstract Informalist Paintings by Antonio Saura (1930–1998)

open access: yesChemistry–Methods, Volume 6, Issue 1, January 2026.
This study explores the chemical and physical mechanisms behind the distinct cracking patterns observed in the black‐painted areas of five works by Antonio Saura. Multiband imaging and portable digital microscopy were employed to document the morphology and distribution of crack patterns.
Margherita Gnemmi   +7 more
wiley   +1 more source

«Nuestra especie no sueña». Memoria, de Apichatpong Weerasethakul: del surrealismo al posthumanismo

open access: yesCahiers d’études des cultures ibériques et latino-américaines
Drawing on two essential concepts of surrealism—the dream and the transformation of reality—this article seeks to establish a link between the aforementioned concepts and the epistemological discourses of posthumanism, through an analysis of the film ...
Carlos Tello
doaj   +1 more source

“Flora and Fauna” of Çocuktaki Bahçe: An Aesthetics of Vitality from Childhood to Old Age

open access: yesGaziantep Üniversitesi Sosyal Bilimler Dergisi, 2017
This article examines Feyyaz Kayacan’s Çocuktaki Bahçe  (The Garden in the Child) in relation to his connection with Surrealism.  Çocuktaki Bahçe is the only novel of Kayacan, who is known fundemantally with his short stories in Turkish literature ...
Hivren Demir Atay
doaj   +1 more source

Advertisement and Audience Satisfication with Emphasis on Surrealism Commercial Advertisement [PDF]

open access: yesJilvah-i hunar, 2017
Surrealism has emerged in different categories such as literature, cinematography, visual arts specialy advertisement. it has always attracted the audiences' attention by using techniques such as similarity, displacement and paradox. The main question of
Mitra Manavi rad, Farimah Fatemi
doaj   +1 more source

The uncanny body: from medical to aesthetic abnormality [PDF]

open access: yes, 2007
In this essay I explore a possibility of experiential synthesis of the medicalized abnormal body with its aesthetic images. A personal narrative about meeting extreme abnormality serves as an introduction into theorizing aesthetic abnormality.
Kozin, Alexander
core  

Characterization by Different Non‐Invasive Methods Artworks From Brazilian Modernist Painters Tarsila Do Amaral and Anita Malfatti

open access: yesX-Ray Spectrometry, Volume 55, Issue 1, Page 136-147, January/February 2026.
ABSTRACT In this study, four paintings by the Brazilian artists Tarsila do Amaral and Anita Malfatti were analyzed using x‐ray fluorescence (XRF) and macro‐x‐ray fluorescence (MA‐XRF) scanning. The analyzed artworks by Tarsila do Amaral were “Autorretrato com vestido laranja” (1921) and “Figura Só” (1930), while the investigated paintings by Anita ...
Valter Felix   +9 more
wiley   +1 more source

Medievalism/Surrealism

open access: yes, 2014
This is a question concerning architecture. An immersion into the imaginary worlds, specifically the fusion of an imaginary world into the everyday real, was the great project of surrealism. The surrealist avant-garde sought to open up a supra-sensory milieu of impossible relations, including monstrous bodies, irrational ...
openaire   +1 more source

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