Results 71 to 80 of about 34,444 (227)
Surrealism Re-Viewed: L’Esprit Surréaliste
Surrealism persistently resisted its own historicization, defining itself not as a literary or artistic movement but as an activity of the mind aimed at total liberation.
Stanley E. Gontarski
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American Space and European Theory. Dialogd in Literature and Painting
Primarily, the article approaches Alejo Carpentier’s poetics understood as the result of processes of transculturation that incorporate the author’s transoceanic contacts with the European avant garde movements, mainly French surrealism, and anthropology.
Cristina Elgue-Martini
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Happenings of The Orange Alternative Movement as an Example of Surrealism in Poland in the 1980s
This text is a contribution to the state of research on the surrealist dimension of the actions and verbal messages of the movement known as the Orange Alternative.
Marta Moldovan-Cywiñska
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This article attempts an approach of madness by surrealism, as reflected in the pathway of the surrealist movement. In the light of enlargement of the concept of mental illness and the experience of madness, an approach is being attempted regarding the early surrealist views as they precursory appear e.g.
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Thinking Poetically and Thinking Politically—Arendt, Benjamin, Heidegger, and Arendt's Benjamin
Constellations, Volume 32, Issue 4, Page 577-587, December 2025.
Jacob Abolafia
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The man from the pampa of Jules Supervielle: a painting of El Bosco
The following paper will try to describe how the text from Jules Superville, El hombre de la Pampa (1923) embraces the work of the painter Hieronymus Bosch, an artist who can be considered a precedent for Surrealism.
Débora Magdalena Bonavetti
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Dances on the Edges of Modernism [PDF]
When modernism started to become the major paradigm in the western world, western theatre also took part in the development. Realism, a child of modernism, soon became the mainstream of the theatrical expression.
Basuki, R. (Ribut)
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Between Surrealism and Abstraction in Chile: The Decembristas in Print
Frequently hailed as the first exhibition of surrealist art in Latin America, the 1935 exhibition organized in Lima by the Peruvian poet and artist César Moro, with the help of the Chilean artist María Valencia, in fact featured work by a group of ...
Lori Cole
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