Педагогічна техніка викладача професійно-технічного навчального закладу [PDF]
, 2013 Педагогічна техніка є основою в роботі викладача і найяскравіше відображає його схильність до педагогічної діяльності. На цьому наголошували К. Станіславський і С. Шацький, які вказували на необхідності викладача володіти педагогічною технікою.
Вовковінський, М.І.
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Explanations and Implications of ‘psychophysical’ acting [PDF]
, 2016 The term ‘psychophysical’ in relation to acting and performer training is widely used by theatre scholars and practitioners. Konstantin Stanislavsky is considered to have been an innovator in developing an approach to Western acting focused on both ...
Whyman, Rose
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The Technology of Dramatization as a Creative Method of Teaching English as a Foreign Language (by an Example of a Special Course “English Theatre”) [PDF]
, 2015 The article represents the dramatization technology as a means of foreign language teaching in terms of the special course introduction at the Department of Art, describes the goals, objectives and content of the course and proves the effectiveness of ...
Khabirovna, Shayakhmetova Leysan +1 more
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Динамический парадокс системы К. С. Станиславского: закон органического творчества [PDF]
, 2022 Целью данной статьи является постановка проблемы динамического парадокса в системе Станиславского на уровне базового понятия в ее научно-описательной ...
Титов, А. Ю.
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Contexto histórico-teatral ruso e influencias tempranas de Stanislavsky [PDF]
, 2010 El presente trabajo es el resultado de una investigación acerca de las primeras influencias a partir de las cuales se concibieron el imaginario, el sistema pedagógico y la técnica interpretativa de Constantin Sergeyevich Stanislavsky (1863-1938).
Masgrau Peya, Lluís +2 more
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The Studio on Povarskaia 1905: “Young Theatre of Searching” [PDF]
The emergence of Symbolism in Russian theatre was a turning point for both Konstantin Stanislavsky and Vsevolod Meyerhold, prompting the former to set up a studio in 1905 to experiment with the new drama.
Whyman, Rose
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Stanislavski: Contexts and Influences [PDF]
, 2018 This chapter is a contribution to a new series on the Great Stage Directors. The volume considers the directorial work of Stanislavski, Antoine and Saint Denis in relation to the emergence of realism as twentieth century theatre form.
Whyman, Rose
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Musicality and the act of theatre: developing musicalised dramaturgies for theatre performance [PDF]
, 2013 This research project is aimed at investigating musicality and theatre, and seeks to develop “musicalised dramaturgies” as dramaturgies for performances that venture beyond representation.
Frendo, Mario
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The influence of Christian Orthodox thought on Stanislavski’s theatrical legacy [PDF]
, 2019 This is an accepted manuscript of an article published by Routledge, Taylor & Francis in Stanislavski Studies on 01/08/2019, available online: https://doi.org/10.1080/20567790.2019.1644747 The accepted version of the publication may differ from the ...
Curpan, Gabriela
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Twelfth night of 1917 and the Moscow art theatre [PDF]
, 1999 On 15 September, 1917, in a letter to Nemirovich-Danchenko, Stanislavsky renounced the stage of the Moscow Art Theatre: I cannot think about any other roles, because I will never be able to do anything, at least in the Moscow Art Theatre.
Ostrovsky, Arkady
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