Results 71 to 80 of about 140,604 (163)

Co‐Creation Art as Curatorial Method: A Case Study of the Bin 2.0 Art Exhibition

open access: yesCurator: The Museum Journal, Volume 69, Issue 4, Page 581-593, October 2026.
ABSTRACT This study examines co‐creation art as a curatorial method through a case study of The Bin 2.0 Art Exhibition, a community‐based initiative involving youth participants from Kampung Muhibbah, Sarawak Malaysia community, curators, artists from FACA Art Gallery and Aftermath Thinker collective.
Mohamad Faizuan Bin Mat   +2 more
wiley   +1 more source

Scale‐Conditioned Geometry: How Measurement Resolution Induces Distance, Proximity, and Spatial Dependence

open access: yesGeographical Analysis, Volume 58, Issue 4, October 2026.
ABSTRACT Scale is central to inference in natural and social systems, and geography and ecology have treated it as an explicit object of theory for decades. This paper builds on that work with a formal view in which scale is a degree of freedom of description, parameterizing both the mappings between representations and the metric defining distance and
Eric Vaz
wiley   +1 more source

Tate Social Media Communication Strategy 2011–12

open access: yes, 2011
This report provides an overview of Tate’s Social Media Communication Strategy, outlining the key objectives for each of its social media ...
Ringham, Jesse
core  

A trait‐based integration of competition and abiotic tolerance underlies plant success

open access: yesNew Phytologist, Volume 252, Issue 1, Page 87-99, October 2026.
Competitive effect and abiotic tolerance show positive associations with species' niche breadth and local dominance. Summary Understanding what determines species' ecological success is a central challenge in ecology. Competitive ability and abiotic tolerance are expected to be strong predictors of species success, yet theory predicts a trade‐off ...
Jan Douda   +7 more
wiley   +1 more source

Implementation of Tate pairing on hyperelliptic curves of genus 2

open access: yes, 2019
Since Tate pairing was suggested to construct a cryptosystem, fast computation of Tate pairing has been researched recently. Barreto et. al[3] and Galbraith[8] provided efficient algorithms for Tate pairing on y(2) = x(3) - x + b in characteristic 3 and ...
Choie, Y, Lee, E
core   +1 more source

Mixed motives and linear forms in the Catalan constant

open access: yesJournal of the London Mathematical Society, Volume 114, Issue 4, October 2026.
Abstract We first give a geometric construction of a two‐dimensional mixed motive over Q${\mathbb {Q}}$ with the Catalan constant G=1−1/32+1/52−1/72+⋯${\mathbf {G}}=1-1/3^2+1/5^2-1/7^2+\cdots$ as a period. We then use this motive to obtain a supply of linear forms in 1 and G${\mathbf {G}}$.
Payman Eskandari   +2 more
wiley   +1 more source

Conserving Mark Rothko’s Black on Maroon 1958: The Construction of a ‘Representative Sample’ and the Removal of Graffiti Ink

open access: yes, 2015
This paper describes the preparation of a ‘representative sample’ and the investigation and refining of the solvent system used to remove graffiti ink from Mark Rothko’s Black on Maroon 1958, which was vandalised in 2012.
Barker, Rachel, Ormsby, Bronwyn
core  

Comparison of Calorimetry and NMR Relaxometry Measurements of Epoxy Cure Kinetics

open access: yesJournal of Polymer Science, Volume 64, Issue 18, Page 4001-4011, 15 September 2026.
Single‐sided NMR monitors epoxy cure in three DGEBA/diamine systems, alongside benchmark DSC measurements. Fitting both datasets to a Kamal‐Malkin kinetic model shows NMR‐derived rate constants typically exceed DSC values, revealing an offset between gelation and chemical conversion.
Olivia Cassara   +4 more
wiley   +1 more source

Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830

open access: yes, 2008
When John Constable’s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of Sir Edwin Manton, its provenance had been traced to the Emory Ford collection in 1914.
Congdon-Martin, Douglas
core  

Kenneth Armitage’s Pandarus (version 8)

open access: yes, 2004
This paper concentrates on the making and meaning of Kenneth Armitage Pandarus (version 8) 1963, which was recently presented to Tate in 2003 by the Patrons of British Art.
Treves, Toby
core  

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