Results 41 to 50 of about 93,960,166 (81)
This paper attempts to articulate the distinctive qualities of the work of education curators at Tate Modern in relation to shifting conceptions of professionalism, specialist knowledge, responsibility and ...
Charman, Helen
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Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at Tate Modern
This paper describes the findings of a practice-based research project to assess the qualitative shifts in learning made by participants in the Schools Programme at Tate Modern.
Fuirer, Michèle
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A Note on the Advanced Use of the Tate Pairing [PDF]
This short note explains how the Tate pairing can be used to efficiently sample torsion points with precise requirements, and other applications. These applications are most clearly explained on Montgomery curves, using the Tate pairing of degree 2, but ...
Krijn Reijnders
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To the Ends of the Earth: Art and Environment
Introducing the group of articles devoted to the theme of ‘Art & Environment’ in Tate Papers no.17, this essay reflects on changing perceptions of the term ‘environment’ in relation to artistic practices and describes the context for a series of case ...
Sleeman, Joy, Alfrey, Nicholas
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Contemporary Art and the Role of Interpretation
Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in visual art. This paper explores possibilities for teaching interpretation through a report on an action-research ...
Charman, Helen, Ross, Michaela
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‘The Whole Question of Plinths’ in Barbara Hepworth’s 1968 Tate Retrospective
In 1968 Barbara Hepworth was honoured with a significant retrospective at the Tate Gallery. This paper offers a close reading of the archival documents relating to the exhibition, revealing the extent of Hepworth’s involvement in the design of the show ...
Clayton, Eleanor, Eleanor Clayton
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Transforming Collections Information at Tate: The Case for an Embedded, Artist-Directed and Object-Centred Ethos [PDF]
Public art institutions in the United Kingdom have been critiqued for emphasising socio-political interpretations of Black and brown artists’ works over their aesthetic and art historical significance.
Dalal-Clayton, Anjalie
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Tate Social Media Communication Strategy 2011–12
This report provides an overview of Tate’s Social Media Communication Strategy, outlining the key objectives for each of its social media ...
Ringham, Jesse
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Susumu Koshimizu :interview, 22 November 2016
Artist Susumu Koshimizu discusses his practice in general as well as the art scene in 1970s Japan. He also speaks about his involvement in the 1970s Tokyo Biennale, which he had discussed the previous day at the Contact Points seminar organised by Tate ...
Koshimizu, Susumu, Fritsch, Lena
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Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830
When John Constable’s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of Sir Edwin Manton, its provenance had been traced to the Emory Ford collection in 1914.
Congdon-Martin, Douglas
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