Results 51 to 60 of about 93,960,166 (81)
ARTIST ROOMS: Young People and Learning 2009–10
, 2011 This report describes and evaluates the ARTIST ROOMS learning initiatives launched in 2009–10 at Tate and the National Galleries of Scotland, as well as at several regional museums and ...
Ganley, Christopher
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The 'Comic Sublime’ : Eileen Agar at Ploumanac’h
, 2005 In 1936 the English surrealist Eileen Agar photographed the extraordinary rock formations at Ploumanac'h in Brittany. This paper examines the ambiguous status of the photographs, using research in Tate Archives and at Ploumanac'h itself to provide new ...
Walker, Ian
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Perceptions, Processes and Practices around Learning in an Art Gallery
, 2014 This paper presents the findings of a research project examining the way learning is perceived by senior members of learning staff at Tate in London. Modelled on a specific construction of artistic practice, learning is considered by these members of ...
Dewitt, Jennifer Eileen +2 more
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, 2004 This paper was presented by members of Art & Language (Michael Baldwin, Charles Harrison and Mel Ramsden) at Tate Modern in March 2003 as part of the talks series Painting Present.
Ramsden, Mel +2 more
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Thomas Gainsborough’s ‘Lost’ Portrait of Auguste Vestris
, 2005 The subject of this paper is a portrait of the celebrated eighteenth-century dancer, Auguste Vestris, acquired by Tate in 1955, when it was attributed to Gainsborough Dupont, nephew of Thomas Gainsborough. The paper argues that the portrait is in fact by
Postle, Martin
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A Bigger Splash: interview with Catherine Wood
, 2015 Jonah Westerman interviews Catherine Wood, curator of the exhibition A Bigger Splash, held at Tate Modern in 2012, about how the show represented the relationships between performance, performativity and ...
Westerman, Jonah, Wood, Catherine
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, 2015 This paper describes the preparation of a ‘representative sample’ and the investigation and refining of the solvent system used to remove graffiti ink from Mark Rothko’s Black on Maroon 1958, which was vandalised in 2012.
Barker, Rachel, Ormsby, Bronwyn
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New Media Art and the Gallery in the Digital Age
, 2004 This paper examines some the changes that digital technology has wrought upon conceptions of space, time and culture, and how ‘new media art’ has historically reflected upon these.
Gere, Charlie
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Kenneth Armitage’s Pandarus (version 8)
, 2004 This paper concentrates on the making and meaning of Kenneth Armitage Pandarus (version 8) 1963, which was recently presented to Tate in 2003 by the Patrons of British Art.
Treves, Toby
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Glazing Over: A Review of Glazing Options for Works of Art on Paper
, 2005 This paper summarises the advantages and disadvantages of glazing options, focusing on works on paper. In light of continuous improvements being made to the physical and optical properties of glass and plastics, combined with improved museum practice and
Freemantle, Rosie
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