Results 81 to 90 of about 127 (113)
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Perception of Thangka Paintings by Tourists: Outlining the Ethnographic Evidences from Thangka Painters

Research Journal of Humanities and Social Sciences, 2018
The purpose of this paper is to provide insights on the Thangka paintings and perception of tourists visiting Sikkim. It also extends the emblematic significance of these types of paintings both traditionally and culturally as majority of inbound tourists lacks the understanding of such mythological characters. This research has attempted to bridge the
Lazey Doma Bhutia, R. A. Sharma
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Thangka Realization Based on MR

2019 IEEE 8th Joint International Information Technology and Artificial Intelligence Conference (ITAIC), 2019
Virtual Reality, Augmented Reality and hybrid Reality technologies have been deeply applied in various fields. This study selects the Thangka with Tibetan cultural characteristics as the research object, and combines VR, AR and MR technologies to complete the Thangka scene display, which brings the viewers an immersive feeling.
Xiaojing Liu   +2 more
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Research on Semantic Segmentation of Thangka Images

2020 5th International Conference on Mechanical, Control and Computer Engineering (ICMCCE), 2020
Thangka is one of the important artistic works in Chinese culture. In order to better promote the understanding and research of digital thangka images, this article explores the semantic segmentation of the headdress of the main statue of thangka. In this article, we use FCN as the benchmark model, and choose PSPNet, Deeplab V3+, Mask R-CNN, DANet ...
Jiahao Meng   +3 more
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A Tibetan Thangka data set and relative tasks

Image and Vision Computing, 2021
Abstract Data set of high quality is the cornerstone of the current data-driven machine learning models, and plays an important role in promoting the development of various application areas. At present, image analysis and processing techniques have intensively involved into the tasks of inheriting and protecting culture resources. However, currently
Yanchun Ma   +5 more
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Computer-aided generation of mandala thangka patterns

Proceedings of the 10th International Symposium on Visual Information Communication and Interaction, 2017
The mandala thangka, as a religious art in Tibetan Buddhism, is an invaluable cultural and artistic heritage. However, drawing a mandala is both time and effort consuming and requires mastery skills due to its intricate details. Retaining and digitizing this heritage is an unresolved research challenge to date.
Jiajing Zhang   +3 more
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Multi-granular method for retrieving Thangka images

2014 IEEE International Conference on Progress in Informatics and Computing, 2014
Based on quotient space and granular computing theory, the image retrieval process is analyzed, and a multi-granular method based on quotient space is proposed for Thangka image retrieval. With the proposed method, an image is divided into different granularities based on hierarchical thinking, and different quotient spaces are constituted according to
Xiang Fei, Chuansheng Liu
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Parametric Modeling and Generation of Mandala Thangka Patterns

Journal of Computer Languages, 2020
Abstract The mandala thangka, as a religious art in Tibetan Buddhism, is an invaluable cultural and artistic heritage. However, drawing a mandala pattern of thangka style is both time- and effort-consuming and requires mastery due to intricate details. Retaining and digitizing this heritage is an unresolved research challenge to date.
Jiajing Zhang   +3 more
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Conservation Treatment of Tibetan Thangkas

Journal of the American Institute for Conservation, 1991
AbstractTibetan thangkas are complex objects, with intricate iconography and technical construction. Conservators must be fully aware of a thangka's religious and cultural aspects prior to attempting treatment. A combination of media such as textile, painting, wood, and sometimes leather and metal, thangkas require a balanced approach in conservation ...
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Digital Restoration for Damaged Thangka Image

2019
The “Thangka” is a special artistic presentation from Tibetan, which is also widely regarded as one of the Intangible Cultural Heritage. Because of a long history and its ingredient (paper and silk) being hard to conserve, Thangka has been damaged by different degrees.
Wenjin Hu   +3 more
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Tibetan tourist thangkas in the Kathmandu Valley

Annals of Tourism Research, 1993
Abstract This case study of Tibetan tourist thangkas in the Kathmandu Valley stresses the historical and cultural background essential for understanding the specific modes of commercialization of sacred art. The specific circumstances under which the tourist thangka market developed led to the existence of an “intermediate audience” located between ...
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