Results 81 to 90 of about 156 (130)
Mapping the Knowledge Structure of Image Recognition in Cultural Heritage: A Scientometric Analysis Using CiteSpace, VOSviewer, and Bibliometrix. [PDF]
J ImagingJu F.
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Study of image features between carved Thangka and embroidered Thangka
Journal of Computational Methods in Sciences and Engineering, 2021Thangka is a representative of Tibetan religion and culture, and it is a typical kind of intangible cultural heritage also. The paper studies the similarities and differences between carved Thangka and embroidered Thangka images based on highlight, shadow and edge information.
Zhenjiang Li, Weilan Wang
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Colour symbolism in the art of Thangka
OOO "Zhurnal "Voprosy Istorii", 2023The article examines the origin of symbolism and the cult of colour on the example of colour symbolism in the art of Thangka; it analyses two cultural and logical approaches to colour symbolism comprehension: using inductive method (generalization of natural attributes of colour) and deductive method (further transformation of colour symbolism into a ...
Wang Shuang, Ren Shuai
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A Tibetan Thangka data set and relative tasks
Image and Vision Computing, 2021Abstract Data set of high quality is the cornerstone of the current data-driven machine learning models, and plays an important role in promoting the development of various application areas. At present, image analysis and processing techniques have intensively involved into the tasks of inheriting and protecting culture resources. However, currently
Yanchun Ma +5 more
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Summary on Thangka Image Segmentation
2020 International Conference on Intelligent Computing, Automation and Systems (ICICAS), 2020Image segmentation is a basic task in the field of computer vision and image processing. At present, researchers use existing image segmentation technology to analyze and detect Thangka images, extract interesting objects, or obtain potential damaged areas to repair damaged areas in the next step.
Wang Honghui, Liu Xiaojing
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Tenth International Conference on Machine Vision (ICMV 2017), 2018
Thangka is a treasure of Tibetan culture. In its digital protection, most of the current research focuses on the content of Thangka images, not the fabrication process. For silk embroidered Thangka of "Guo Tang", there are two craft methods, namely, weave embroidered and piles embroidered.
Zhenjiang Li, Weilan Wang
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Thangka is a treasure of Tibetan culture. In its digital protection, most of the current research focuses on the content of Thangka images, not the fabrication process. For silk embroidered Thangka of "Guo Tang", there are two craft methods, namely, weave embroidered and piles embroidered.
Zhenjiang Li, Weilan Wang
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Research Journal of Humanities and Social Sciences, 2018
The purpose of this paper is to provide insights on the Thangka paintings and perception of tourists visiting Sikkim. It also extends the emblematic significance of these types of paintings both traditionally and culturally as majority of inbound tourists lacks the understanding of such mythological characters. This research has attempted to bridge the
Lazey Doma Bhutia, R. A. Sharma
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The purpose of this paper is to provide insights on the Thangka paintings and perception of tourists visiting Sikkim. It also extends the emblematic significance of these types of paintings both traditionally and culturally as majority of inbound tourists lacks the understanding of such mythological characters. This research has attempted to bridge the
Lazey Doma Bhutia, R. A. Sharma
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Thangka Realization Based on MR
2019 IEEE 8th Joint International Information Technology and Artificial Intelligence Conference (ITAIC), 2019Virtual Reality, Augmented Reality and hybrid Reality technologies have been deeply applied in various fields. This study selects the Thangka with Tibetan cultural characteristics as the research object, and combines VR, AR and MR technologies to complete the Thangka scene display, which brings the viewers an immersive feeling.
Xiaojing Liu +2 more
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