Results 41 to 50 of about 825 (114)
Dancing in Music Videos, or How I Learned to Dance Like Janet . . . Miss Jackson
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Melissa Blanco Borelli
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Falling into the Surface (toward a materiality of affect)
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Pia Ednie-Brown
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No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Lucy Reynolds
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Cinema Has Not Yet Been Invented: Lecture by Ian Christie
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Claudia Kappenberg
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Dance Films Development In Indonesia [PDF]
Dance Film is a film genre which is less recognized by the society. Track record regarding dance film in Indonesia are also difficult to be traced due to its small number, limited documentations, and some perceptions which assume that dance film is the ...
Ardianto, Deny Tri
core
Moving Across Time with Words: Toward An Etymology of Screendance
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Ann Dils
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No abstract available. This review essay was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Andrea Barzey, Polly Hudson
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ion, as an art movement, represents the largest modernisation of visual arts since the Renaissance, reconfiguring how we perceive information on a global scale (Frankel 2012).
Walls, RL
core
No abstract available. This review essay was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Marisa Zanotti
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No abstract available. This review essay was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Eleni Tranouli
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