Results 71 to 80 of about 450 (120)

Review: Perpetual Motion: Dance, Digital Cultures, and the Common by Harmony Bench (2020)

open access: yesThe International Journal of Screendance, 2020
Perpetual Motion: Dance, Digital Cultures, and the Common takes the reader on a journey through a collection of digital dance works that cumulatively reveal a rich, and ongoing, interplay between dance and digital media.  Available for purchase as a book
J. Price
semanticscholar   +1 more source

Excavating Genres

open access: yesThe International Journal of Screendance, 2010
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press.
Douglas Rosenberg
doaj   +1 more source

Witness: a response to Marlene Millar's Witness

open access: yesThe International Journal of Screendance, 2020
No abstract available.
Annamaria Macdonald
semanticscholar   +1 more source

"Art Is Energy": Barbara Hammer Speaks with Sarah Keller about the State of Experimental Cinema after Maya Deren

open access: yesThe International Journal of Screendance, 2013
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Barbara Hammer
doaj   +1 more source

Notation Score as Embodied Documentary Presence: A Response to Amelia Jones's "'Presence' in Absentia"

open access: yesThe International Journal of Screendance, 2012
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Hannah Kosstrin
doaj   +1 more source

"Fresher Than You": Commercial Use of YouTube-Native Dance and Videographic Techniques

open access: yesThe International Journal of Screendance, 2018
This article focuses on four examples of commercial use of web-native and amateur video and dance aesthetics, including music videos and videos promoting clothing brands, and how corporate logics have adopted these genres and caused them to adapt in turn.
Alexandra Harlig
semanticscholar   +1 more source

In and Out of Place: Site-based Screendance

open access: yesThe International Journal of Screendance, 2010
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press.
Kyra Norman
doaj   +1 more source

If I can’t dance, it’s not my revolution!: Tracing the Revolutions of Maya Deren’s Dance in Jane Campion’s In the Cut

open access: yesThe International Journal of Screendance, 2013
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Sophia Mayer
doaj   +1 more source

Reflections on Heidegger: Performing Translations in Active Space Environments

open access: yesThe International Journal of Screendance, 2012
No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Lisa Naugle, John Crawford
doaj   +1 more source

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