The Master and Margarita: Satan, Savior from Evil [PDF]
The countless interpretations of The Master and Margarita emphasize the most disturbing thought for the readers. This is an amazingly simple and moving truth: from the clutches of the Soviet Empire which destroys the Master only Satan can release him ...
Krzysztof Mech
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Dlaczego Małgorzata poszukuje Mistrza? Krótka historia w trzech aktach [PDF]
The purpose of this article is to analyze and interpret a volume of poetry by Czech-Polish author Renata Putzlacher-Buchtova. The writer does not hide her fondness for the works of the Russian writer Michail Bulgakov, and it is to The Master and ...
Agata Czapiewska
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The Motive of Peace in the Works of B. Pasternak and M. Bulgakov
The concept of peace entered into Russian culture from the Bible and became its important spiritual tradition. With the development of secular literature, peace has gradually come out of the sacred field and become the significant aesthetic concept rich ...
Li Fei, Maria S. Rudenko
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CONCEPT OF "TRUTH" IN THE NOVEL OF MIKHAIL BULGAKOV'S MASTER AND MARGARITA [PDF]
The subject of our study was the concept of "truth" in Bulgakov's novel Master and Margarita. S. Stepanov gave the defi nition of a concept. The concept is like a clot of culture in human consciousness; that is the manner, in which culture becomes a ...
Anastasiya Sergeevna Korneenko
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Allusions to the Gospel Stories in Christ Landed in Harodnia by V. Korotkevich and Master and Margarita by M. Bulgakov [PDF]
This article examines typological similarities and differences in the literary interpretation of Gospel plots based on comparative analysis of the texts of the novels Christ Landed in Harodnia by the classic of Belarusian literature Vladzimir Korotkevich
Natalya V. Yakovenko
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Anton P. Chekhov and Mikhail A. Bulgakov: Chekhov’s trace in “The Master and Margarita”
The research examines the presence of A.P. Chekhov’s works in M.A. Bulgakov’s novel “The Master and Margarita”. It is established that Bulgakov drew inspiration from Chekhov’s principles, particularly those outlined in Chekhov’s “Autobiography”, when ...
Boris V. Sokolov
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Notes on sources and components the novel M.A. Bulgakov “Master and Margarita” [PDF]
In work new approach to the analysis of real historical sources and characters of the novel of M.A. Bulgakov “Master and Margarita” is offered. In the first note the prototypes of “theatre director” changing from edition to edition are analyzed.
Leonid F. Katsis
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The character series “Woland and his retinue” as a source of precedence in modern Russian media texts [PDF]
The study is devoted to a comprehensive analysis of precedent units referring to the novel “The Master and Margarita” by M. A. Bulgakov. The relevance of the article is due to the importance of studying fiction as a key source of precedence in the modern
Natalya A. Segal, Elena A. Nakhimova
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UNIVERSE RELATIVITY AND MYTHOPOETIC PARADIGM OF THE “EARTHLY WORLD” IN M. BULGAKOV`S NOVEL “THE MASTER AND MARGARITA” [PDF]
The purpose of the work is to show the relativity of the Universe in the individual author`s myth of M. Bulgakov based on the analysis of the mythopoetic paradigm of the “earthly world” in the novel “The Master and Margarita” in conjunction with the ...
Oksana A. Korniyenko
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Two Generations — Two Interpretations of Mikhail Bulgakov’s Novel The Master and Margarita [PDF]
The article is a study of the features of the film adaptations of Mikhail Bulgakov’s novel The Master and Margarita using the example of a comparative analysis of Vladimir Bortko’s TV series The Master and Margarita (2005) and Mikhail Lokshin’s film The
Shimonova, N. V
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