Results 141 to 150 of about 46,764 (299)

Serbarea în învățământul preșcolar [PDF]

Eon
Festive performances hold a distinctive place in the preschool educational environment; therefore, this article proposes an examination of theatrical manifestations, such as Christmas performances, from the perspective of theatre pedagogy, highlighting ...
Alina-Maria MOLDOVAN
doaj  

Faculty Recital: Art of the Sonata V, Trumpet and Piano Music of the 1960s and 70s, September 24, 2013 [PDF]

, 2013
This is the concert program of the Faculty Recital: Art of the Sonata V, Trumpet and Piano Music of the 1960s and 70s performance on Tuesday, September 24, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

‘Enthusiasts’ and ‘Fanatics’: The Decembrists as a Case Study in French Influence on Russian Culture, Emotions and Thought

History, EarlyView.
Abstract Participants in Russia's 1825 Decembrist uprising against the Tsarist regime were, quite literally, a case study in French cultural influence upon Russia. This is particularly true as it relates to Russia's emotional cultures. Although this has not, traditionally, been the primary focus of historical analysis of this event (in Soviet or ...
ADAM COKER
wiley   +1 more source

Sino‐Mexican Encounters Before the ‘Diplomatic Opening’: Exhibition Diplomacy and Grassroots Friendship in the 1960s

History, EarlyView.
Abstract During the 1960s, Mexico's Institutional Revolutionary Party (PRI) embraced Chinese overtures for a commercial opening as consistent with its anti‐imperialist posture, thereby foreshadowing the diplomatic opening to China in 1972. Yet this professed ideological pluralism was eclipsed by an underlying allegiance to the United States' anti ...
YIXIN TIAN
wiley   +1 more source

Faculty Recital Series: American Music for Viola and Piano, February 13, 2012 [PDF]

, 2012
This is the concert program of the Faculty Recital Series: American Music for Viola and Piano performance on Monday, February 13, 2012 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

REPAIR AND RECONSTRUCTION FOR URBAN COMMONING: The Making of the Liberated Spaces in Naples

International Journal of Urban and Regional Research, EarlyView.
Abstract Commoning requires repair. Where capitalist logics of accumulation, enclosure and exclusion produce abandoned space through the city, urban commoners remake that space to serve the needs of inhabitants. Without hiding the paradoxes and risks of repair, based on years‐long ethnography in the Liberated Spaces in Naples, Italy, we demonstrate how
Martina Locorotondo, Adam Fishwick
wiley   +1 more source

“Antarctica” - the ice will melt, or Some trends in the development of children‘s choreographic creativity

Управление культурой
The article is addressed to management, teaching and creative staff of choreographic circles, schools, studios and theaters, as well as researchers interested in the current state of children's dance creativity.
Konstantin V. Kiselev
doaj  

Faculty Recital Series: Sergey Schepkin, December 8, 2011 at 8:00 p.m. [PDF]

, 2011
This is the concert program of the Faculty Recital Series: Sergey Schepkin performance on Thursday, December 8, 2011 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

AUGURAL TERRITORIES: On the Prophetic Organizing of the Mid‐range

International Journal of Urban and Regional Research, EarlyView.
Abstract In this article I introduce the concept of augural territories to theorize the urbanism that emerged during pandemic lockdowns. I draw on ethnographic research in Madrid to examine how community‐based responses—including mutual aid networks, food pantries and neighbourhood associations—disrupted the spatial and temporal logics of territorial ...
Alberto Corsín Jiménez
wiley   +1 more source

JACQUES COPEAU AND THE EXPRESSIONLESS MASK

Travessias, 2014
This paper presents a study on the research conducted by Jacques Copeau with expressionless mask. In the late nineteenth and early twentieth centuries, the actor was subordinate to the dramaturgical text.
Leonardo Augusto Alves Inacio
doaj