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Reimagining Performance: Contemporary Trends in Theatre Studies

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Theatre’s radical potential: a study of critical performativity

Culture and Organization, 2020
Joining the debate on 'critical performativity' as articulated in the field of critical management studies (CMS), we engage with Boltanski's dual framework of critique to examine the development of an Italian critical theatre project. Based on an ethnographic study, we discuss the theatre actors' experiences, thereby (a) demonstrating the potentiality ...
Cinque, Silvia, Nyberg, Daniel
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Pedagogies of Theatre (Arts) and Performance (Studies)

Studies in Theatre and Performance, 2005
AbstractThis article attempts to articulate the positioning of Theatre and Performance as both a subject grouping and undergraduate programme at the University of Plymouth. The negotiations which lead to this positioning result in pedagogical decisions that converge around an ethos of blurring binaries.
Roberta Mock, Ruth Way
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Geographies of Learning: Theatre Studies, Performance, and the "Performative"

Theatre Journal, 1993
Tropes that use "performance" and "location" to make claims about identity and politics have been proliferating recently in cultural and critical theory. The metaphor of location currently echoes through a number of contemporary political and academic discourses.
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Theatre, performance studies and photography: a history of permanent contamination

Visual Studies, 2009
From its very beginning photography has always held a tense relation with theatre practice, both media influencing and contaminating each other in a permanent and systematic way. At the same time, both are traditionally situated at opposite ends of a continuum in which the degree of medium specificity is taken as a pivotal point of reference. Under the
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Performance Studies and the Enhancement of Theatre Studies

2011
The academic discipline of theatre studies holds a fairly recent position among such disciplines, having been essentially created and developed during the past century. Much of that time it has been engaged in a struggle, sometimes benign and sometimes bitter, to establish and police its boundaries and on occasion, simply to justify its continued ...
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Falsifiable Theories for Theatre and Performance Studies

Theatre Journal, 2007
This essay argues that theatre and performance scholars should use theories that can be scientifically validated whenever possible. Scientists cannot arrive at objective knowledge, but through the process of falsification they can narrow their range of possible interpretations to provide explanations that best suit the evidence and counter the ...
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Does Performance Studies Speak to Restoration Theatre?

Literature Compass, 2009
Abstract The rise of Performance Studies (PS) has been nothing short of phenomenal, but the field of Restoration drama and theatre has resisted this popular methodology, preferring critical approaches grounded in theatre history, literary exegesis, and, more recently, gender studies and queer theory.
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