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Early Music, 2005
At the turn of the 17th century Italian composers of secular vocal music, especially those associated with the seconda prattica, began to place greater emphasis on textual expression, and expanded their means of musical expression by means of new harmonic tools such as extreme or unprepared dissonances (durezze and heterolepsis), unresolved dissonances
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At the turn of the 17th century Italian composers of secular vocal music, especially those associated with the seconda prattica, began to place greater emphasis on textual expression, and expanded their means of musical expression by means of new harmonic tools such as extreme or unprepared dissonances (durezze and heterolepsis), unresolved dissonances
openaire +1 more source