Results 61 to 70 of about 158 (74)
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Six Suites for Viol and Thoroughbass
1977The solo works for viole de gambe by Marais occupy, in French instrumental music of the late Baroque era, a position comparable with those for clavecin by François Couperin, his younger contemporary and colleague at the French court. This selection of suites offers, for the first time in a modern scholarly edition, some of the more attractive items ...
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Historically Informed Thoroughbass Theory: The Structure, Classification, & Movement of Chords According to German Thoroughbass Treatises of the Eighteenth Century [PDF]
Theoretical constructs latent in thoroughbass treatises of the 18th century can serve students of thoroughbass today. In the following work, I draw from Johann David Heinichen’s Der General-Bass in der Composition (1728), David Kellner’s Treulicher ...
Haskell, Sheridan
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Heinichen, Rameau, and the Italian Thoroughbass Tradition
Journal of Music Theory, 2007This essay explores the understanding of tonality and in particular the concept of chord, as demonstrated in the Italian thoroughbass tradition, especially in the didactic tradition of partimenti. For a long time this tradition was entirely overlooked because of the dominance of the neo-Ramellian Harmonielehre tradition. The differences are exemplified
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Eighteenth-Century Music, 2008
ABSTRACTThe pervasiveness of thoroughbass in eighteenth-century German musical pedagogy is illustrated by the way that it extends from continuo realization exercises and chorale harmonizations to complete fugues. This article seeks to demonstrate how partimento fugue can be construed as the missing link between thoroughbass exercises and fully ...
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ABSTRACTThe pervasiveness of thoroughbass in eighteenth-century German musical pedagogy is illustrated by the way that it extends from continuo realization exercises and chorale harmonizations to complete fugues. This article seeks to demonstrate how partimento fugue can be construed as the missing link between thoroughbass exercises and fully ...
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Concerning the Thoroughbass or Continuo
1994Abstract The meaning, treatment, and usage of the thoroughbass, basso continuo, or bassus prorgano and other important issues including (a) what is desirable in an organist, lutenist, harpist, and (b) how each of them should use their instrument according to its character.
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