Voice-Leading Patterns in the Fugal Expositions of J. S. Bach\u27s Well-Tempered Clavier [PDF]
, 1987 Although Heinrich Schenker\u27s theory of tonal music goes very far towards uniting the traditionally independent domains of counterpoint and harmony, it does not deal directly or deeply with the connective role which imitative texture often plays in ...
Renwick, William Jonathan Michael
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FT2024-09: Addition of new terms to the RDA Form of Musical Notation Vocabulary Encoding Scheme
This Fast Track Proposal was submitted by Chelsea Hoover, Music Library Association Content Standards Subcommittee, via RSC North America Representative Robert Maxwell.
Welsh, Anne
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Sebastián Raval’s Motecta (1600) [PDF]
, 2016 UID/EAT/00693/2013 PTDC/CPC-MMU/0314/2014‘Still another book of small-scale motets: Sebastián Raval’s Motecta (1600)’ Lodovico Viadana’s Cento concerti ecclesiastici (Venice: Giacomo Vincenti, 1602), a collection of small-scale motets with basso continuo,
Rodríguez-Garcia, Esperanza
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UM MODELO DE REALIZAÇÃO DE BAIXO CONTÍNUO: 2º MOVIMENTO DA SONATA EM SI MENOR BWV 1030 PARA FLAUTA E CRAVO OBBLIGATO DE J. S. BACH [PDF]
, 2007 This article presents a study about figuration of the chords from the Largo e Dolce of the B minor sonata for flute and harpsichord obbligato by J. S. Bach, from the perception that they are a thoroughbass composed by Bach himself.
Almeida, Stella
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Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context
, 2011 In February 1820 Fernando Sor revealed his guitar works to be the product of a “system”, which he explained in his Méthode pour la Guitare in 1830, also announcing his treatise On Harmony Applied to the Guitar.
Hartdegen, Kenneth
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A corpus and a modular infrastructure for the empirical study of (an)notated music. [PDF]
Sci DataHentschel J +3 more
europepmc +1 more source
Challenging score-centered norms in Western classical higher music education: an exploratory qualitative study of instructor-led initiatives in the UK and Europe. [PDF]
Front PsycholMatei R, Chiu R.
europepmc +1 more source
Sir Thomas Frankland, Thirkleby, York, to Sir James Edward Smith
Garden developments: success of his recently constructed mushroom house, adapted from [Isaac] Oldacre's [(fl 1810s-1852), Lady Banks' gardener at Spring Grove, Isleworth, Middlesex] engraved plan but with flue above ground; explains benefits with small ...
Frankland, Sir Thomas, 6th baronet
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This thesis investigates the Viennese pianist, composer, and pedagogue Carl Czerny’s approach to piano improvisation in his Systematische Anleitung zum Fantasieren op. 200 (1829) and Die Kunst des Präludirens op. 300 (1834).
Edin, Martin
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モーツァルト《フィガロの結婚》の通奏低音チェンバロの調律について
本論は、モーツァルトのオペラ《フィガロの結婚》の通奏低音チェンバロにもっとも適した調律法を探る試みである。モーツァルトの鍵盤楽曲全般がそうであるように、《フィガロ》の通奏低音チェンバロにもまた、平均律はふさわしくない。なぜなら、モーツァルトが作曲の際に使用する調と転調の可能性をみずから制限し、それとの引き換えに鍵盤楽器の美しい響きを求めていたことは明らかだからである。したがって、われわれは歴史的な不等分律のなかから、このオペラのレチタティーヴォ伴奏に最適な調律法を探り出さなくてはならない。しかし、ラモー、
ナルミ, フミオ +2 more
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