Results 31 to 40 of about 158 (74)
Kurtzer Unterricht was einen Organist[en] nötig zu wißen seÿ. Brief Instruction on What an Organist Must Know Edited and Translated by Derek Remeš [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2019 Johann Valentin Eckelt, Derek Remeš
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Thoroughbass realization inspired by the French harpsichord repertoire
, 2017 Note:French treatises of thoroughbass published or disseminated in manuscript form between 1680 and 1775 do not provide the modern professional harpsichordist with all the necessary tools to perform the French Baroque repertoire in a stylistically ...
McNabney, Mélisandre
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Um modelo de realização de baixo contínuo para trechos da ópera Ariane et Bacchus, de Marin Marais (1696), segundo as regras do Nouveau traité de l’accompagnement de Saint-Lambert (1707) [PDF]
, 2015 Orientador: Profª. Drª. Silvana Ruffier ScarinciMonografia (bacharelado) - Universidade Federal do Paraná, Setor de Setor de Artes, Comunicação e Design, Curso de Graduação em MúsicaInclui referênciasResumo : O presente trabalho propõe uma discussão ...
Mendonça, Anaiz Dessartre
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, 2015 This article examines a hypothetical compositional and pedagogical use of the Langloz manuscript, a collection of German partimenti, during the time of J. S. Bach.
Vasili Byros
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Program for lecture-recital for the degree of Doctor of Musical Arts titled 'Thoroughbass and Counterpoint in Eighteenth-Century Germany.
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J. A. Štěpán and his Music for Harpsichord from the Musical Archive in Kremsier [PDF]
, 2017 This thesis focuses on the interpretation of harpsichord sonatas written by Josef Antonín Štěpán / Joseph Anton Steffan (1726–1797), who was an important figure in Viennese musical life of the eighteenth century.
Žďárská, Petra
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, 2017 Quo vadis, eighteenth-century music analysis? This is the question I wish to pose in 2017, a year marking some notable anniversaries. It has been ten years since the appearance of Robert Gjerdingen's Music in the Galant Style (New York: Oxford University
FELIX DIERGARTEN +1 more
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Partimento and Continuo Playing in Theory and Practice
, 2010 This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the ...
LUTZ, R +5 more
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The 189 Partimenti of Nicola Sala : Complete Edition with Critical Commentary. Volume 1. Nos. 1-100
, 2017 This edition presents the complete partimenti of Maestro Nicola Sala (1713–1801), composer and teacher of counterpoint at the Conservatorio della Pietà de’ Turchini in Naples.
van Tour, Peter,
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The Historical Interpretative and Methodical Sources for Harpsichord of the 18th Century
, 2010 My Master´s work is called The historical interpretative and methodical sources for harpsichord of the 18th century. I have compiled the main French sources of the 17th and 18th century in my Bachelor´s work(2008): Les Principes du Clavecin (1702 ...
Dlabačová, Olga
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