Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices
, 2008 There is a good deal of recent scholarship concerning the putative demise of thoroughbass practice at the end of the eighteenth century. Not only do many modern scholars view the performance-practice aspects of thoroughbass as having become obsolete by ...
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Thoroughbass in Practice, Theory, and Improvisation - International Orpheus Academy for Music & Theory 2006 Orpheus-Institut, Gent, 5. bis 8. April 2006 [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2006 Hans Aerts
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Thoroughbass Reductive Analysis Applied to Arranging Bach’s Solo Violin Sonata BWV 1003 for Guitar [PDF]
, 2022 Thoroughbass was not only a performance practice, but also a way J.S. Bach and his circle conceived of music. Since the beginning of the 20th century, guitar arrangements of Bach’s music have expanded the repertoire of the instrument.
Munoz, Leonardo Jayson
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The Improvised Text: Bodily Regimes of Piano Performance in the Nineteenth Century [PDF]
, 2021 Nineteenth-century pianist-composers like Franz Liszt and Clara Schumann were able to practice for improvisation (and for composition) by using exemplar-based practice methods, which are described in this dissertation. Pedagogues like Friedrich Wieck and
White, Andrew Malilay
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A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality [PDF]
, 2021 Prevalent modern-day theories of tonal hierarchy for eighteenth-century music, especially those influenced by the ideas of Heinrich Schenker, have been called into question by schema theorists such as Robert Gjerdingen and Vasili Byros, who argue from ...
Prosser, Simon K. S.
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Beethoven and Tonal Prototypes: An Inherited and Developing Relationship
, 2020 : English: The idea that the most original, individual and organicist composer of all time used some pre-composed materials and formulae might strike some Beethoven admirers as an abomination.
Giorgio Sanguinetti
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A Compendium of Voice-Leading Patterns from the Seventeenth and Eighteenth Centuries to Play, Sing, and Transpose at the Keyboard [PDF]
, 2019 An original Compendium of baroque and classical voice-leading patterns offers a wealth of historically informed teaching materials for today\u27s pedagogues.
Remeš, Derek
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Regras de Acompanhar by David Perez. A Critical Edition [PDF]
, 2022 “It is not easy to tell exactly what a partimento is. It is a basso continuo or thoroughbass, but one that does not accompany anything except itself. It is a figured bass, but very often it has no figures at all.
De Cascão Gomes Salgado, Rafaela Beatriz
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The Partimento Tradition in the Shadow of Enlightenment Thought [PDF]
, 2017 This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and ...
Longenecker, Deborah
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