G. F. Handel's Thoroughbass Exercises
This pedagogical edition of Handel's thoroughbass exercises is offered in portrait and landscape formats. The solutions are offered in simple, chordal style, as well as in a more complex, contrapuntal style.
Remes, Derek
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O času in kraju nastanka ter avtorstvu novomeškega rokopisa Noten-Buch vorinnen die Fundamenta zu dem Clavier oder Orgel enthalten [PDF]
The article presents some significant findings based on research into the origin of a manuscript music manual, Fundamenta, preserved in the library of the Franciscan monastery in Novo mesto. It consists of a theoretical introduction imparting fundamental
Škrjanc, Radovan
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G. P. Telemann's "Exercises in Singing, Keyboard-Playing, and Thoroughbass"
This modern pedagogical edition and translation of G. P. Telemann's "Exercises in Singing, Keyboard-Playing, and Thoroughbass" contains 48 Arias with thoroughbass realized by Telemann (TWV 25: 39–85), composed 1733-34.
Remes, Derek
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Johann Christoph Kellner's "Basics of Thoroughbass" (1783)
This is a modern pedagogical edition and translation of J. C. Kellner's 1783 treatise, Basics of Thoroughbass (German: Grundriss des Generalbasses). See the commentary in Volume 1 for an overview of the contents of the edition. All files are given in PDF,
Remes, Derek
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Tuning of thoroughbass harpsichord for Mozart's opera "Le nozze di Figaro" [PDF]
本論は、モーツァルトのオペラ《フィガロの結婚》の通奏低音チェンバロにもっとも適した調律法を探る試みである。モーツァルトの鍵盤楽曲全般がそうであるように、《フィガロ》の通奏低音チェンバロにもまた、平均律はふさわしくない。なぜなら、モーツァルトが作曲の際に使用する調と転調の可能性をみずから制限し、それとの引き換えに鍵盤楽器の美しい響きを求めていたことは明らかだからである。したがって、われわれは歴史的な不等分律のなかから、このオペラのレチタティーヴォ伴奏に最適な調律法を探り出さなくてはならない。しかし、ラモー、
ナルミ, フミオ +2 more
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Worksheets and Solutions to Matthäus Gugl's "Fundamentals of Thoroughbass" (1719)
Two appendices (worksheets and solutions) to the publication: Derek Remes, ed., “Matthäus Gugl’s Fundamentals of Thoroughbass: Edition, Translation, and Commentary.
Remes, Derek
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W. A. Mozart's 24 Thoroughbass Exercises for his Pupil, Thomas Attwood: A Pedagogical Edition
This is a pedagogical edition of W. A. Mozart's 24 thoroughbass exercises for his pupil, Thomas Attwood. Editorial text appears in square brackets.
Remes, Derek
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THE PASSACAGLIA – A PRIMER FOR TEACHING BAROQUE IMPROVISATION [PDF]
During the lifetime of Bach such disciplines as harmony and thoroughbass were realized directly at the keyboard by the student, providing a solid foundation for later and more elaborate improvisatory skills – skills which were mandatory for all clavier ...
Terefenko, Dariusz
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Regras de acompanhar para Cravo ou Orgão (1758), de Alberto José Gomes da Silva : proposta de edição anotada [PDF]
This research is dedicated to explore the theoretical work of Alberto José Gomes da Silva, entitled Regras de Acompanhar para cravo, ou orgaõ, e ainda tambem para qualquer outro instrumento de vozes, reduzidas a breve methodo, e facil percepçaõ, first ...
Lameira, Vanessa Silva Monteiro
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Emanuel Aloys Förster's "Practical Examples" (1818)
This modern edition of Emanuel Aloys Förster's "Practical Examples" (1818) is intended for students of thoroughbass. It is given in various formats: Volume 1.1: Original Exercises Volume 1.2: Editorial Solutions Volume 2.1: Exercises in Easier Keys ...
Remes, Derek
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