Results 91 to 100 of about 167,023 (250)
Listeners’ musical perception is influenced by cues that can be stored in short-term memory (e.g. within the same musical piece) or long-term memory (e.g. based on one’s own musical culture).
Catherine J Stevens +6 more
doaj +1 more source
This workflow presents a complete pipeline for audio data processing, beginning with format conversion, channel adjustments, and cleaning, followed by enhancement and visualization techniques. It further applies signal separation using FastICA, postprocessing, and evaluation metrics (SDR, SIR, SAR) to improve audio analysis and support future research ...
Md. Razu Ahmed +3 more
wiley +1 more source
TimbreTron: A WaveNet(CycleGAN(CQT(Audio))) Pipeline for Musical Timbre Transfer
In this work, we address the problem of musical timbre transfer, where the goal is to manipulate the timbre of a sound sample from one instrument to match another instrument while preserving other musical content, such as pitch, rhythm, and loudness.
Anil, Cem +5 more
core
Abstract Infant‐directed singing (IDSi) is a natural means of dyadic communication that contributes to children's mental health by enhancing emotion expression, close relationships, exploration and learning. Therefore, it is important to learn about factors that impact the IDSi.
Raija‐Leena Punamäki +3 more
wiley +1 more source
Toward an ecological conception of timbre [PDF]
This paper is part of a series in which we had worked in the last 6 months, and, specifically, intend to investigate the notion of timbre through the ecological perspective proposed by James Gibson in his Theory of Direct Perception.
Oliveira, André L. G. +1 more
core
No One Mourns the Wicked: The Ethics of Mourning Morally Flawed Celebrities
Journal of Social Philosophy, EarlyView.
Carme Isern‐Mas +2 more
wiley +1 more source
Music as Evidence for a Creator [PDF]
Throughout history, mankind has made music. While music is artistic, it is also scientific and informed by natural occurrences within the physical world.
Foster, Andrew
core +1 more source
It’s almost a platitude to mention that timbre is the most important musical dimension in popular music; the statement is so often repeated. Take one example from Mark Spicer, writing in 2005: “for the experienced listener and analyst, it is often the ...
Megan L. Lavengood
doaj +1 more source
Conceptualisation et communication des nuances de timbre à la guitare classique
La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).La problématique de cette thèse concerne le lexique descripteur de timbre, ses
Lavoie, Maryse
core
Portfolio of compositions [PDF]
This text contains a short general description of my experience at the University of Birmingham. This is an attempt to communicate how my perception in composing music has changed and evolved.
Malavasi, Matteo
core

