Results 71 to 80 of about 25,329 (203)

Expectations in Culturally Unfamiliar Music: Influences of Proximal and Distal Cues and Timbral Characteristics

Frontiers in Psychology, 2013
Listeners’ musical perception is influenced by cues that can be stored in short-term memory (e.g. within the same musical piece) or long-term memory (e.g. based on one’s own musical culture).
Catherine J Stevens, Julien eTardieu, Julien eTardieu, Peter eDunbar-Hall, Catherine T Best, Barbara eTillmann, Barbara eTillmann   +6 more
doaj   +1 more source

Learning Timbre Analogies from Unlabelled Data by Multivariate Tree Regression [PDF]

, 2011
This is the Author's Original Manuscript of an article whose final and definitive form, the Version of Record, has been published in the Journal of New Music Research, November 2011, copyright Taylor & Francis.
Stowell, D, Plumbley, MD, Dan Stowell, Mark D. Plumbley   +3 more
core   +1 more source

Identifying Peking Opera Roles Through Vocal Timbre: An Acoustical and Conceptual Comparison Between and

Music & Science
Chinese jingju (Peking opera) typically distinguishes several stock character types differentiated by narrative function, appearance, and vocal timbre.
Annie Y. Liu, Zachary Wallmark
doaj   +1 more source

Color and tone color: audiovisual crossmodal correspondences with musical instrument timbre

Frontiers in Psychology
Crossmodal correspondences, or widely shared tendencies for mapping experiences across sensory domains, are revealed in common descriptors of musical timbre such as bright, dark, and warm.
Lindsey Reymore, Lindsey Reymore, Delwin T. Lindsey, Delwin T. Lindsey   +3 more
doaj   +1 more source

Fink, Robert, Melinda Latour, and Zachary Wallmark (eds). 2018. The Relentless Pursuit of Tone. New York: Oxford University Press.

Current Musicology, 2018
It’s almost a platitude to mention that timbre is the most important musical dimension in popular music; the statement is so often repeated. Take one example from Mark Spicer, writing in 2005: “for the experienced listener and analyst, it is often the ...
Megan L. Lavengood
doaj   +1 more source

Histoire de la théorie du timbre : de l’acoustique à l’électromagnétisme [PDF]

SHS Web of Conferences
This chapter traces the historical and epistemological development of the notion of timbre, from early descriptive uses to its modern acoustic and physical theorization, with a particular focus on speech sounds.
Schweitzer Claudia, Dodane Christelle
doaj   +1 more source

Music in our ears: the biological bases of musical timbre perception.

PLoS Computational Biology, 2012
Timbre is the attribute of sound that allows humans and other animals to distinguish among different sound sources. Studies based on psychophysical judgments of musical timbre, ecological analyses of sound's physical characteristics as well as machine ...
Kailash Patil, Daniel Pressnitzer, Shihab Shamma, Mounya Elhilali   +3 more
doaj   +1 more source

Discriminating music performers by timbre: On the relation between instrumental gesture, tone quality and perception in classical cello performance [PDF]

, 2017
Classical music performers use instruments to transform the symbolic notationof the score into sound which is ultimately perceived by a listener. For acoustic instruments, the timbre of the resulting sound is assumed to be strongly linked to the physical
CHUDY, M
core  

The Effect of Pitch Height, Timbre and Octave Error on Absolute Pitch Accuracy. Educational Implications

Review of Artistic Education, 2019
The accuracy of absolute pitch has often fallen into mythical perspectives, as this rare ability tends to fascinate people through its spectacular results. Many people tend to think that a musician with absolute pitch is always capable of identifying the
Iușcă Dorina Geta
doaj   +1 more source

mu301hl/Timbre-Perception-Test-TPT-: Pre-release version

, 2019
Documentation of the Timbre Perception Test (TPT ...
Harin
core   +1 more source