Results 61 to 70 of about 5,809 (185)
No One Mourns the Wicked: The Ethics of Mourning Morally Flawed Celebrities
Journal of Social Philosophy, EarlyView.
Carme Isern‐Mas +2 more
wiley +1 more source
Rhythmic Structure Shapes Dyadic Self−Other Representations Through Interpersonal Action Coupling
Annals of the New York Academy of Sciences, Volume 1562, Issue 1, August 2026.Musical rhythms can imply multiple interpretations of the beat, allowing various ways of moving together. Dyads drummed to songs, producing rhythmic ratios varying the relative temporal complexity of their movements. Stable coordination increased social bonding, which decreased with complexity.
Dhwani P. Sadaphal +5 more
wiley +1 more source
Annals of the New York Academy of Sciences, Volume 1562, Issue 1, August 2026.Harmony and rhythm perception are often studied separately, yet both reveal a shared sensitivity to low‐order integer ratios. In harmony, intervals like the octave (2:1) and fifth (3:2) predict consonance and ease of encoding. In rhythm, patterns with simple ratios (e.g., 2:1, 3:2) are easier to perceive, reproduce, and remember.
Nicola Di Stefano +2 more
wiley +1 more source
Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Orbis Litterarum, Volume 81, Issue 4, Page 363-376, August 2026.Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley +1 more source
Song Familiarity Relies on Evidence Accumulation
Psychophysiology, Volume 63, Issue 8, August 2026.ABSTRACT Familiarity judgments are thought to involve evidence accumulation, a decision‐making process in which information is gathered over time until a threshold is reached. Previous work has identified a scalp‐recorded signature of evidence accumulation called the central‐parietal positivity (CPP).
Jared R. Girard +2 more
wiley +1 more source
Current Musicology, 2018 It’s almost a platitude to mention that timbre is the most important musical dimension in popular music; the statement is so often repeated. Take one example from Mark Spicer, writing in 2005: “for the experienced listener and analyst, it is often the ...
Megan L. Lavengood
doaj +1 more source
Music & ScienceChinese jingju (Peking opera) typically distinguishes several stock character types differentiated by narrative function, appearance, and vocal timbre.
Annie Y. Liu, Zachary Wallmark
doaj +1 more source
Histoire de la théorie du timbre : de l’acoustique à l’électromagnétisme [PDF]
SHS Web of ConferencesThis chapter traces the historical and epistemological development of the notion of timbre, from early descriptive uses to its modern acoustic and physical theorization, with a particular focus on speech sounds.
Schweitzer Claudia, Dodane Christelle
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Review of Artistic Education, 2019 The accuracy of absolute pitch has often fallen into mythical perspectives, as this rare ability tends to fascinate people through its spectacular results. Many people tend to think that a musician with absolute pitch is always capable of identifying the
Iușcă Dorina Geta
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Music in our ears: the biological bases of musical timbre perception.
PLoS Computational Biology, 2012 Timbre is the attribute of sound that allows humans and other animals to distinguish among different sound sources. Studies based on psychophysical judgments of musical timbre, ecological analyses of sound's physical characteristics as well as machine ...
Kailash Patil +3 more
doaj +1 more source