Results 41 to 50 of about 5,809 (185)

Timbre, tone color, and sound quality: concepts and definitions

open access: yesArchives of Acoustics, 2014
Timbre is a magic word used by composers, musicians, sound engineers, and other audio and hearing professionals to describe all auditory sensations other than pitch, loudness, and perceived duration.
T. ŁĘTOWSKI
doaj  

Neural correlates of musical timbre: an ALE meta-analysis of neuroimaging data

open access: yesFrontiers in Neuroscience
Timbre is a central aspect of music that allows listeners to identify musical sounds and conveys musical emotion, but also allows for the recognition of actions and is an important structuring property of music.
Oliver Tab Bellmann, Rie Asano
doaj   +1 more source

A Dynamical Systems Approach to Spectral Music: Modeling the Role of Roughness and Inharmonicity in Perception of Musical Tension

open access: yesFrontiers in Applied Mathematics and Statistics, 2020
Tension-resolution patterns seem to play a dominant role in shaping our emotional experience of music. In traditional Western music, these patterns are mainly expressed through harmony and melody.
Michal Hadrava   +4 more
doaj   +1 more source

Deep dialogism, inner voices, and mental health

open access: yesMind &Language, EarlyView.
The idea that cognition involves dialogic interchange between mutually influencing “voices” has long featured in psychology and philosophy. While dialogic structure is most explicit in inner speech, some authors have argued that other types of mental activity can be (or always are) dialogic. We introduce two dimensions of dialogism, strength and depth,
Sofiia Rappe, Sam Wilkinson
wiley   +1 more source

Long‐term stability of sinus complication management

open access: yesPeriodontology 2000, EarlyView.
Abstract Maxillary sinus augmentation shows a low incidence of complications and high clinical success due to favorable biological conditions and typically transient issues. Most complications are intraoperative, such as Schneiderian membrane perforation or hemorrhage, and are often resolved immediately.
Pablo Galindo‐Moreno   +5 more
wiley   +1 more source

Preattentive processing of emotional musical tones: a multidimensional scaling and ERP study

open access: yesFrontiers in Psychology, 2013
Musical emotion can be conveyed by subtle variations in timbre. Here, we investigated whether the brain is capable to discriminate tones differing in emotional expression by recording event-related potentials (ERPs) in an oddball paradigm under ...
Thomas F Münte   +3 more
doaj   +1 more source

Notation in Early Modern Language Teaching

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
wiley   +1 more source

The missing middle in AI native music production: Compression, editorial musicianship, and governance in the generative stack

open access: yesAI Magazine, Volume 47, Issue 3, Fall 2026.
Abstract This article examines the structural reconfiguration of contemporary music‐making within AI‐mediated production environments. From a historical perspective of music technology, it compares algorithmic composition, electronic instruments, and Digital audio workstations (DAWs) to argue that the present transition represents not a rupture but a ...
Eun Ji Park
wiley   +1 more source

Music Playlist Use in Clinical Trials of Psychedelic Assisted Psychotherapy: A Systematic Review

open access: yesJournal of Clinical Psychology, Volume 82, Issue 9, Page 1263-1270, September 2026.
ABSTRACT Recent studies have shown promising results for psychedelics in the treatment of psychiatric disorders. Both in clinical and recreational settings, contextual elements, such as music, can influence the experience of users and may be linked to positive outcomes.
Lucas Cruz   +4 more
wiley   +1 more source

Acoustic Correlates of Auditory Object and Event Perception: Speakers, Musical Timbres, and Environmental Sounds

open access: yesFrontiers in Psychology, 2019
Human listeners must identify and orient themselves to auditory objects and events in their environment. What acoustic features support a listener’s ability to differentiate the great variety of natural sounds they might encounter?
Mattson Ogg   +3 more
doaj   +1 more source

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