Results 21 to 30 of about 151,949 (167)

Electrophysiological Correlates of Vocal Emotional Processing in Musicians and Non-Musicians

open access: yesBrain Sciences, 2023
Musicians outperform non-musicians in vocal emotion recognition, but the underlying mechanisms are still debated. Behavioral measures highlight the importance of auditory sensitivity towards emotional voice cues.
Christine Nussbaum   +2 more
doaj   +1 more source

Transformasi Pitch Suara Manusia Menggunakan Metode PSOLA

open access: yesJurnal Elkomika, 2014
ABSTRAKKemampuan pengubahan suara yang dilakukan Dubber untuk beragam bentuk suara menjadi perhatian khusus dengan melakukan rekayasa suara, di dalam perkembangan teknologi di kenal sebuah teknikpitch shifting yang digunakan untuk mengubah suara manusia ...
SUSETYO BAGAS BHASKORO   +2 more
doaj   +1 more source

Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities [PDF]

open access: yes, 2015
Studies on the perception of music qualities (such as induced or perceived emotions, performance styles, or timbre nuances) make a large use of verbal descriptors.
CANAZZA TARGON, Sergio   +4 more
core   +1 more source

Automatic Assessment of Tone Quality in Violin Music Performance

open access: yesFrontiers in Psychology, 2019
The automatic assessment of music performance has become an area of increasing interest due to the growing number of technology-enhanced music learning systems.
Sergio Giraldo   +9 more
doaj   +1 more source

Learning Timbre Analogies from Unlabelled Data by Multivariate Tree Regression [PDF]

open access: yes, 2011
This is the Author's Original Manuscript of an article whose final and definitive form, the Version of Record, has been published in the Journal of New Music Research, November 2011, copyright Taylor & Francis.
Aucouturier J.-J.   +7 more
core   +1 more source

Enhancing timbre model using MFCC and its time derivatives for music similarity estimation

open access: yes, 2012
One of the popular methods for content-based music similarity estimation is to model timbre with MFCC as a single multivariate Gaussian with full covariance matrix, then use symmetric Kullback-Leibler divergence.
de leon, Franz, Martinez, Kirk
core   +1 more source

MusicSwarm: Biologically Inspired Intelligence for Music Composition

open access: yesAdvanced Intelligent Systems, EarlyView.
Biologically inspired swarms of frozen foundation models self‐organize to compose complex music without fine‐tuning. By coordinating through stigmergic signals, decentralized agents dynamically evolve specialized roles and adapt to solve complex tasks.
Markus J. Buehler
wiley   +1 more source

Influence of Implantable Hearing Aids and Neuroprosthesison Music Perception

open access: yesThe Scientific World Journal, 2012
The identification and discrimination of timbre are essential features of music perception. One dominating parameter within the multidimensional timbre space is the spectral shape of complex sounds.
Torsten Rahne   +2 more
doaj   +1 more source

Timbre space as synthesis space: towards a navigation based approach to timbre specification [PDF]

open access: yes, 2008
Much research into timbre, its perception and classification over the last forty years has modelled timbre as an n-dimensional co-ordinate space or timbre space, whose axes are measurable acoustical quantities (variously, spectral density, simultaneity ...
Holland, Simon   +2 more
core  

Pediatric sensorimotor cortical responsiveness to intracerebral stimulation during stereoelectroencephalographic monitoring: Age effects and area specificity

open access: yesEpilepsia, EarlyView.
Abstract Objective This study was undertaken to determine how age influences clinical responsiveness to intracerebral electrical stimulation (IES) in children across primary and secondary sensorimotor cortices and to assess age effects on response complexity and area‐specific responsiveness.
Giulia Nobile   +10 more
wiley   +1 more source

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