Results 1 to 10 of about 5,778 (181)
Automatic Timbre Transformation Using Enhanced Diffusion Model
IEEE AccessWe present a novel timbre transfer model that uses an enhanced diffusion architecture to convert music from various instruments into Erhu timbre. The Erhu, a traditional Chinese instrument, is difficult to simulate due to its rich vibrato and smooth note
Cheng-Han Wu +4 more
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Modeling Timbre Similarity of Short Music Clips
Frontiers in Psychology, 2017 There is evidence from a number of recent studies that most listeners are able to extract information related to song identity, emotion, or genre from music excerpts with durations in the range of tenths of seconds. Because of these very short durations,
Kai Siedenburg, Daniel Müllensiefen
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Frontiers in Psychology, 2013 Listeners’ musical perception is influenced by cues that can be stored in short-term memory (e.g. within the same musical piece) or long-term memory (e.g. based on one’s own musical culture).
Catherine J Stevens +6 more
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Current Musicology, 2018 It’s almost a platitude to mention that timbre is the most important musical dimension in popular music; the statement is so often repeated. Take one example from Mark Spicer, writing in 2005: “for the experienced listener and analyst, it is often the ...
Megan L. Lavengood
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Music & ScienceChinese jingju (Peking opera) typically distinguishes several stock character types differentiated by narrative function, appearance, and vocal timbre.
Annie Y. Liu, Zachary Wallmark
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The Journal of the Acoustical Society of America, 1988 The definition of timbre has been established by standards such as the American National Standards. According to the results of factor analytical research on sound color, the content of sound color can be well expressed by such descriptive adjectives as soft, rich, clear, etc.
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Histoire de la théorie du timbre : de l’acoustique à l’électromagnétisme [PDF]
SHS Web of ConferencesThis chapter traces the historical and epistemological development of the notion of timbre, from early descriptive uses to its modern acoustic and physical theorization, with a particular focus on speech sounds.
Schweitzer Claudia, Dodane Christelle
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Audiovisual correspondence between musical timbre and visual shapes.
Frontiers in Human Neuroscience, 2014 This article investigates the cross-modal correspondences between musical timbre and shapes. Previously, such features as pitch, loudness, light intensity, visual size, and color characteristics have mostly been used in studies of audio-visual ...
Mohammad eAdeli +2 more
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Reflections on sound timbre definitions
Archives of Acoustics, 2014 The article is concerned with systematic classification of concepts and terms in acoustics. Special attention is attached to definitions of timbre. The article presents a review of definitions of timbre published in the literature.
Marianna SANKIEWICZ, Gustaw BUDZYŃSKI
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Semantic Crosstalk in Timbre Perception
Music & Science, 2019 Many adjectives for musical timbre reflect cross-modal correspondence, particularly with vision and touch (e.g., “dark–bright,” “smooth–rough”). Although multisensory integration between visual/tactile processing and hearing has been demonstrated for ...
Zachary Wallmark
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