Results 91 to 100 of about 151,949 (167)

Semantic Crosstalk in Timbre Perception

Music & Science, 2019
Many adjectives for musical timbre reflect cross-modal correspondence, particularly with vision and touch (e.g., “dark–bright,” “smooth–rough”). Although multisensory integration between visual/tactile processing and hearing has been demonstrated for ...
Zachary Wallmark
doaj   +1 more source

New tonalities with the Thummer and The Viking [PDF]

, 2008
In this paper we explain the theoretical background of Dynamic Tonality using the Thummer, a new musical interface, and The Viking, a software synthesizer written especially for it.
Milne, Andrew J., Prechtl, Anthony
core  

A Systematic Comparison of Music Similarity Adaptation Approaches [PDF]

, 2012
In order to support individual user perspectives and different retrieval tasks, music similarity can no longer be considered as a static element of Music Information Retrieval (MIR) systems.
Andreas Nürnberger, Daniel Wolff, Otto-von-guericke-universität Magdeburg De, Sebastian Stober, Tillman Weyde   +4 more
core   +2 more sources

Christliche Sakralbauten als Hörräume Modulationen von einer visuellen zu einer auditiven Sprache

Limina
Das Ziel des Beitrages ist es, einen Sinn für (christliche) Sakralbauten als Hörräume zu entwickeln. Entgegen dem Paradigma einer Vorherrschaft des Sehens („Okkularzentrismus“) werden Sakralbauten nicht in optischer Hinsicht betrachtet, sondern wird nach
Deibl, Jakob Helmut
doaj   +1 more source

Towards efficient music genre classification using FastMap

, 2012
Automatic genre classification aims to correctly categorize an unknown recording with a music genre. Recent studies use the Kullback-Leibler (KL) divergence to estimate music similarity then perform classification using k-nearest neighbours (k-NN ...
de Leon, Franz, Martinez, Kirk
core  

Acoustic and mechanic characterization of materials used in manufacturing the soundboard of the spanish guitar: influence in the sonority

Revista Facultad de Ingeniería Universidad de Antioquia, 2015
En el presente trabajo se muestra un estudio realizado con los materiales másutilizados en la construcción de la tapa armónica de la guitarra y su relación con algunascaracterísticas del sonido tales como timbre, volumen y duración.
Ennio Hugo Idrobo-Ávila, Rubiel Vargas-Cañas   +1 more
doaj  

Quantifying sound colour of musical instruments – precise harmonic timbre coordinates of like instruments

Acta Acustica
Timbre – sound “colour” – is an abstract, delicate property of sound, especially in a high-value context such as musical instruments. It is a perceptual construct so intangible that it cannot be considered a quantity. Since sound nevertheless reaches our
Prislan Rok, Kržič Urša, Svenšek Daniel   +2 more
doaj   +1 more source

Timbre Space: On the Flat History of a Multidimensional Metaphor

Music & Science
This article reflects on the “flat” history of timbre space , tracking its emergence as a technical inscription in psychoacoustic experiments and its rise to become a dominant conceptual metaphor in timbre studies.
Landon Morrison
doaj   +1 more source

Los fenómenos tímbricos como herramienta de Estudios de Instrumentación, estilística y creación musical

Arte e Investigación, 2016
El trabajo se focaliza en la especificación y en la caracterización de aspectos relevantes en el tratamiento de los fenómenos tímbricos y procedimientos de instrumentación.
Carlos Mastropietro
doaj  

Interpretable vocal tract and respiratory inversion via physics-informed neural operators. [PDF]

Sci Rep
Deng M, Liu C, Yang Z.
europepmc   +1 more source