Results 121 to 130 of about 5,809 (185)

Vocal Emotion Perception and Musicality-Insights from EEG Decoding. [PDF]

Sensors (Basel)
Lehnen JM, Schweinberger SR, Nussbaum C.
europepmc   +1 more source

Effect of fundamental frequency removal on mistuned harmonic separation thresholds. [PDF]

Front Psychol
Azar C, Whittom A, Chauvette L, Couture F, Nadeau C, Bacon BA, Champoux F, Sharp A.   +7 more
europepmc   +1 more source

Preserving music reward in age-related hearing loss through training and adaptation. [PDF]

BMC Geriatr
Gao E, Thompson EC, Wang C, Armache M, Kim JS, Arar C, Chasin M, McRackan TR, Chern A.   +8 more
europepmc   +1 more source

Application of artificial intelligence CNN model in emotional recognition of instrumental music. [PDF]

Sci Rep
Liu Y.
europepmc   +1 more source

Perfecting Sensory Restoration and the Unmet Need for Personalized Medicine in Cochlear Implant Users: A Narrative Review. [PDF]

Brain Sci
Podury A, Podury A, Barry B, Barrett KC, Jiam NT.   +4 more
europepmc   +1 more source

Overcoming the Challenge of Singing Among Cochlear Implant Users: An Analysis of the Disrupted Feedback Loop and Strategies for Improvement. [PDF]

Brain Sci
Younan SM, Lin EY, Barry B, Kurup A, Barrett KC, Jiam NT.   +5 more
europepmc   +1 more source

Cochlear Implant Electrode Placement and Music Perception.

JAMA Otolaryngol Head Neck Surg
Berg KA, Noble JH, Dawant BM, Sunderhaus LW, DeFreese AJ, Labadie RF, Gifford RH.   +6 more
europepmc   +1 more source

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Defining timbre — Refining timbre

Contemporary Music Review, 1994
Timbre is defined as the attribution of spectromorphological identity. Electroacoustic music experience, particularly acousmatic music, questions the viability of a notion of timbre. Of primary significance is the traditional linking of timbre to the source and cause of a sound: the concept of source-cause texture is introduced to define this link. The
exaly   +2 more sources

The timbre of sung vowels

Journal of the Acoustical Society of America, 1988
The perception of timbre differences in a vowel sung by eight male and seven female singers has been investigated by means of two types of listening experiments: (1) using the paradigm of the comparison of similarity, and (2) using judgments on 21 semantic bipolar scales. Using INDSCAL analysis for the similarity-comparison data and MDPREF analysis for
G, Bloothooft, R, Plomp
exaly   +3 more sources