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Listening to a Consonant Chord Progression during Live Face-to-Face Gaze Enhances Neural Activity in Social Systems. [PDF]
J NeurosciWatts DA +5 more
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Overcoming the Challenge of Singing Among Cochlear Implant Users: An Analysis of the Disrupted Feedback Loop and Strategies for Improvement. [PDF]
Brain SciYounan SM +5 more
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Cochlear Implant Electrode Placement and Music Perception.
JAMA Otolaryngol Head Neck SurgBerg KA +6 more
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Defining timbre — Refining timbre
Contemporary Music Review, 1994Timbre is defined as the attribution of spectromorphological identity. Electroacoustic music experience, particularly acousmatic music, questions the viability of a notion of timbre. Of primary significance is the traditional linking of timbre to the source and cause of a sound: the concept of source-cause texture is introduced to define this link. The
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Journal of the Acoustical Society of America, 1988
The perception of timbre differences in a vowel sung by eight male and seven female singers has been investigated by means of two types of listening experiments: (1) using the paradigm of the comparison of similarity, and (2) using judgments on 21 semantic bipolar scales. Using INDSCAL analysis for the similarity-comparison data and MDPREF analysis for
R Plomp
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The perception of timbre differences in a vowel sung by eight male and seven female singers has been investigated by means of two types of listening experiments: (1) using the paradigm of the comparison of similarity, and (2) using judgments on 21 semantic bipolar scales. Using INDSCAL analysis for the similarity-comparison data and MDPREF analysis for
R Plomp
exaly +3 more sources
2021
Timbre is among the most important and the most elusive aspects of music. Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone “color”, “wet” acoustics, or in Schoenberg’s words, “the illusory stuff of our dreams.” This multi-disciplinary approach to timbre assesses ...
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Timbre is among the most important and the most elusive aspects of music. Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone “color”, “wet” acoustics, or in Schoenberg’s words, “the illusory stuff of our dreams.” This multi-disciplinary approach to timbre assesses ...
openaire +2 more sources
Timbre and composition ‐ timbre and language
Contemporary Music Review, 1987The function of timbre in 20th Century instrumental music is discussed in terms of the relation between timbre and musical language. Up to the 19th Century, the function of timbre was primarily related to its identity in addition to being charged with certain effective and symbolic characteristics. The identities of Western instruments are standardized,
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