Results 141 to 150 of about 25,329 (203)

FCAL-Net: a neural network model for speech emotion recognition of guanzhong dialect with multi-dimensional feature fusion. [PDF]

Sci Rep
Zhang L, Wang H, Li J, Zhou M, Guo X.
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Acoustic features of music differentially modulate anxiety through EEG gamma oscillations and prefrontal connectivity. [PDF]

Sci Rep
Luo Q, Wang Y, Yang K, Qian A, Nie P, Xi M, Zhang W, Chen G.   +7 more
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Cognitive encoding modeling of musical sequences for vocal performance and intelligent music composition. [PDF]

Front Psychol
Lin S, Zeng G.
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Teaching activity design and psychological practice of music majors under a convolutional neural network and transformer module. [PDF]

Sci Rep
Zhuang T, Wang X, Chang D.
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A Conversational Platform (Okaya) for Multimodal Digital Biomarkers of Fatigue, Cognition, and Mental Health: Feasibility Observational Study. [PDF]

JMIR Form Res
So M, Sobolev M, Menvielle G.
europepmc   +1 more source

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Defining timbre — Refining timbre

Contemporary Music Review, 1994
Timbre is defined as the attribution of spectromorphological identity. Electroacoustic music experience, particularly acousmatic music, questions the viability of a notion of timbre. Of primary significance is the traditional linking of timbre to the source and cause of a sound: the concept of source-cause texture is introduced to define this link. The
exaly   +2 more sources

Timbre

2021
Timbre is among the most important and the most elusive aspects of music. Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone “color”, “wet” acoustics, or in Schoenberg’s words, “the illusory stuff of our dreams.” This multi-disciplinary approach to timbre assesses ...
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Timbre and composition ‐ timbre and language

Contemporary Music Review, 1987
The function of timbre in 20th Century instrumental music is discussed in terms of the relation between timbre and musical language. Up to the 19th Century, the function of timbre was primarily related to its identity in addition to being charged with certain effective and symbolic characteristics. The identities of Western instruments are standardized,
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Timbre saliency vs. timbre dissimilarity – What is the relationship?

The Journal of the Acoustical Society of America, 2013
We have proposed the notion of timbre saliency as the attention-capturing quality of timbre. The definition of saliency requires an object to stand out with respect to its surroundings, implying dissimilarity between the object and its neighbors. What then might be the relationship between timbre saliency and timbre dissimilarity?
Song Hui Chon, Stephen McAdams
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