Results 141 to 150 of about 5,809 (185)
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2018
Timbre, the distinctive quality of a particular sound, has become an increasingly critical analytical focus in recent music theory. Yet the sublinguistic nature of timbral cognition and the parameter’s inherent multidimensionality pose significant challenges to description and representation.
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Timbre, the distinctive quality of a particular sound, has become an increasingly critical analytical focus in recent music theory. Yet the sublinguistic nature of timbral cognition and the parameter’s inherent multidimensionality pose significant challenges to description and representation.
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Issues in Timbre and Perception
Contemporary Music Review, 1994Since electroacoustic technology has made it possible to utilise a sounding repertory no longer restricted to a pitch-based model it allows composers to create a music in which timbral possibilities are more fully explored but at the same time imposes new demands on its audience.
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2018
Abstract The notion of the “ethereal” has a long and surprisingly continuous history in Western art music. From the Aeolian harp to early electronic music, listeners have identified certain instruments as producing otherworldly and supernatural sounds.
Emily I. Dolan, Thomas Patteson
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Abstract The notion of the “ethereal” has a long and surprisingly continuous history in Western art music. From the Aeolian harp to early electronic music, listeners have identified certain instruments as producing otherworldly and supernatural sounds.
Emily I. Dolan, Thomas Patteson
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Pitch and timbre influences on the short-term memory for timbre
The Journal of the Acoustical Society of America, 1994Memory for pitch is susceptible to same-dimension interference as a function of pitch distance, while remaining relatively free from cross-dimensional (e.g., timbre) interference [C. Semal and L. Demany, J. Acoust. Soc. Am. 89, 2404–2410 (1991)]. This study investigated whether analogous effects occur in memory for timbre.
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Transplayer: Timbre Style Transfer with Flexible Timbre Control
ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2023Yuxuan Wu +4 more
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Timbre Saliency, the attention-capturing quality of timbre
2013McAdams, Stephen (Supervisor)
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Terretêktorh: space and timbre, timbre and space
2012In this article, we will analyze the way in which Xenakis uses space, fills it with sound and colors it according to the processes of composition used in his work Terretêktorh. Does there exit a particular way of spatializing the timbre in Xenakis and in particular, in this work? Do there exist rhythms of timbre?
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Sonic branding of meat- and plant-based foods: The role of timbre
Journal of Business Research, 2023Kosuke Motoki +2 more
exaly