Results 101 to 110 of about 1,015 (177)

'Play the fragrance': Designing musical soundscapes to match fragrances based on olfactory-auditory crossmodal correspondences. [PDF]

Iperception
Spence C, Di Stefano N, Reinoso-Carvalho F, Mesz B, Zacharakis A.   +4 more
europepmc   +1 more source

A theory of intervention model to define the essential characteristics of music to support emotion regulation development in early childhood. [PDF]

Front Neurosci
Sena Moore K, Burbach K, Hanson-Abromeit D.   +2 more
europepmc   +1 more source

Les paysages verniens dans les timbres (1955-2005)

Cybergeo, 2018
Alexis Metzger
doaj  

Temporally Dissociable Neural Representations of Pitch Height and Chroma. [PDF]

J Neurosci
Chang A, Poeppel D, Teng X.
europepmc   +1 more source

Musical timbre style transfer with diffusion model. [PDF]

PeerJ Comput Sci
Huang H, Man J, Li L, Zeng R.
europepmc   +1 more source

Musical anhedonia, timbre, and the rewards of music listening. [PDF]

Cognition
Kathios N, Patel AD, Loui P.
europepmc   +1 more source

Pitch-induced illusory percepts of time. [PDF]

Atten Percept Psychophys
Pazdera JK, Trainor LJ.
europepmc   +1 more source

Timbral cues underlie instrument-specific absolute pitch in expert oboists. [PDF]

PLoS One
Hansen NC, Reymore L.
europepmc   +1 more source

Timbres-primes [PDF]

Urgences, 1981
openaire   +1 more source

A Three-Dimensional Method for Analysis of the Body Mode of Classical Guitars Using a Laser Displacement Sensor. [PDF]

Sensors (Basel)
Su KC, Hsieh TY, Lin WC, Hsiao FL, Ryzhkova T, Chen CC.   +5 more
europepmc   +1 more source