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Timbre Saliency, the attention-capturing quality of timbre
2013McAdams, Stephen (Supervisor)
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2018
Abstract The notion of the “ethereal” has a long and surprisingly continuous history in Western art music. From the Aeolian harp to early electronic music, listeners have identified certain instruments as producing otherworldly and supernatural sounds.
Emily I. Dolan, Thomas Patteson
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Abstract The notion of the “ethereal” has a long and surprisingly continuous history in Western art music. From the Aeolian harp to early electronic music, listeners have identified certain instruments as producing otherworldly and supernatural sounds.
Emily I. Dolan, Thomas Patteson
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Terretêktorh: space and timbre, timbre and space
2012In this article, we will analyze the way in which Xenakis uses space, fills it with sound and colors it according to the processes of composition used in his work Terretêktorh. Does there exit a particular way of spatializing the timbre in Xenakis and in particular, in this work? Do there exist rhythms of timbre?
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Identification and blend of timbres as a basis for orchestration
Contemporary Music Review, 1993Roger A Kendall
exaly