Results 51 to 60 of about 50,985 (212)
A first investigation into the effectiveness of Tactons [PDF]
, 2005 This paper reports two experiments relating to the design of Tactons (or tactile icons). The first experiment investigated perception of vibro-tactile "roughness" (created using amplitude modulated sinusoids), and the results indicated that roughness ...
Brewster, S.A. +2 more
core +3 more sources
Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Orbis Litterarum, EarlyView.Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley +1 more source
O conceito timbre no piano: perspectivas de cinco pianistas pós-graduandos
Revista VortexEste estudo teve por objetivo investigar como pianistas em nível de pós-graduação compreendem, explicam e produzem diferentes timbres no piano em obras dos séculos XX e XXI. Foram delineados dois estudos.
Nayane Nogueira Soares
doaj +1 more source
On The Presence of Christ [PDF]
, 2018 On the Presence of Christ is a musical work for septet (three strings, three winds, percussion) exploring Christ’s presence throughout all time as described in Scripture, wherein the individual movements are thematically grounded and arranged from ...
Peacock, William A.
core +1 more source
Pacific Philosophical Quarterly, EarlyView.ABSTRACT I develop an axiomatic system of mereology that accounts for the ways in which musical works can be said to have parts. I distinguish two fundamental modes of composition that musical works exhibit: successive composition, whereby sound events are concatenated in time, and simultaneous composition, whereby sound events occur at the same time ...
Alejandro G. Di Rienzo
wiley +1 more source
Musical Instrument Timbres Classification with Spectral Features
EURASIP Journal on Advances in Signal Processing, 2003 A set of features is evaluated for recognition of musical instruments out of monophonic musical signals. Aiming to achieve a compact representation, the adopted features regard only spectral characteristics of sound and are limited in number.
Agostini Giulio +2 more
doaj +1 more source
Factors in human recognition of timbre lexicons generated by data clustering [PDF]
, 2012 Since the development of sound recording technologies, the palette of sound timbres available for music creation was extended way beyond traditional musical instruments. The organization and categorization of timbre has been a common endeavor.
Herrera, Perfecto +3 more
core
Softening the Border: A Capacities Approach to the Perception–Cognition Distinction
Philosophy and Phenomenological Research, EarlyView.ABSTRACT Approaches to the perception–cognition distinction tend toward two extremes. Many embrace a hard border, treating perception and cognition as mutually exclusive, non‐overlapping categories. By contrast, eliminativism denies that any principled, theoretically useful distinction exists between perception and cognition.
Jacob Beck, Casey O'Callaghan
wiley +1 more source
Música brasileira contemporânea para traverso
Revista da Tulha, 2019 Sons do passado têm sido cada vez mais utilizados na música contemporânea em várias partes do mundo. No Brasil, alguns compositores experimentam esses timbres diferenciados ao estreitar parcerias com músicos especialistas em instrumentos do período ...
Geisa Cerqueira Felipe
doaj +1 more source
Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression [PDF]
, 2014 We propose ways of enriching the timbral potential of gestural sonic material captured via piezo or contact microphones, through latency-free convolution of the microphone signal with grains from a sound corpus.
Harker, Alexander +2 more
core +1 more source