Results 171 to 180 of about 2,837 (224)
The influence of tonality, tempo, and musical sophistication on the listener's time-duration estimates. [PDF]
Q J Exp Psychol (Hove)Silva LB, Phillips M, Martins JO.
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Tonality and Nonlinear Resonance
Annals of the New York Academy of Sciences, 2005Abstract: We outline a theory of tonality that predicts tonal stability, attraction, and categorization based on the principles of nonlinear resonance. Perception of tonality is the natural consequence of neural resonance, arising from central auditory nonlinearities.
Edward W. Large
exaly +3 more sources
1999
AbstractGives an account of tonality, and why tonality is central to our musical tradition Shows that the attempt to replace tonality with atonal or serial forms of musical order threatens the foundations of musical perception, and explores the various ways in which music can depart from tonality while still maintaining its character as an object of ...
Roger Scruton
exaly +2 more sources
AbstractGives an account of tonality, and why tonality is central to our musical tradition Shows that the attempt to replace tonality with atonal or serial forms of musical order threatens the foundations of musical perception, and explores the various ways in which music can depart from tonality while still maintaining its character as an object of ...
Roger Scruton
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Annals of the New York Academy of Sciences, 2001
Abstract: This article presents a self‐organizing map (SOM) neural network model of tonality based on experimentally quantified tonal hierarchies. A toroidal representation of key distances is recovered in which keys are located near their neighbors on the circle of fifths, and both parallel and relative major/minor key pairs are proximal.
C L, Krumhansl, P, Toiviainen
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Abstract: This article presents a self‐organizing map (SOM) neural network model of tonality based on experimentally quantified tonal hierarchies. A toroidal representation of key distances is recovered in which keys are located near their neighbors on the circle of fifths, and both parallel and relative major/minor key pairs are proximal.
C L, Krumhansl, P, Toiviainen
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British Journal of Audiology, 1984
The loudness of a continuous pure tone does not appear to change with time unless an interrupted tone is introduced at intervals during the course of the test; in consequence it is held that it is the interrupted tone which induces the loudness loss.
H, Barratt, J D, Hood
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The loudness of a continuous pure tone does not appear to change with time unless an interrupted tone is introduced at intervals during the course of the test; in consequence it is held that it is the interrupted tone which induces the loudness loss.
H, Barratt, J D, Hood
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2012
This article focuses on the combinatory nature of Western music. What type of organization in the tonal pitch structure allows the production of so many different styles, and so many different pieces inside each style? In order to address this issue, the article starts start by considering the theoretical distinction between ‘tonal’ and ‘event ...
Bigand, Emmanuel +1 more
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This article focuses on the combinatory nature of Western music. What type of organization in the tonal pitch structure allows the production of so many different styles, and so many different pieces inside each style? In order to address this issue, the article starts start by considering the theoretical distinction between ‘tonal’ and ‘event ...
Bigand, Emmanuel +1 more
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Tonal and non-tonal intonation in Yichang dialect
2016 International Conference on Asian Language Processing (IALP), 2016The study of intonation in a tonal language presents a challenge. The challenge is to see how a language succeeds in encoding the functions which is shown by means of intonation in non-tonal languages. This paper demonstrates most of the intonational marking in tonal language in Yichang.
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2023
Abstract This encyclopedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad ...
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Abstract This encyclopedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad ...
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Studia Linguistica, 2005
Abstract. This paper discusses central aspects of the effects of hierarchical structure on tonal scaling in intonation. The core results of a number of phonetic studies on this topic, by Ladd, by van den Berg, Gussenhoven and Rietveld, as well as experimental results of our own, are reviewed.
Féry, Caroline (Prof. Dr.) +1 more
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Abstract. This paper discusses central aspects of the effects of hierarchical structure on tonal scaling in intonation. The core results of a number of phonetic studies on this topic, by Ladd, by van den Berg, Gussenhoven and Rietveld, as well as experimental results of our own, are reviewed.
Féry, Caroline (Prof. Dr.) +1 more
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2018
Tonalism is an often under-appreciated aspect of Australian painting, which developed from the mid-1910s to the 1950s. A technique pioneered by Max Meldrum (1875–1955) it is different to the use of tone developed by artists such as Leonard da Vinci (1452–1519) and Johannes Vermeer (1632–75).
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Tonalism is an often under-appreciated aspect of Australian painting, which developed from the mid-1910s to the 1950s. A technique pioneered by Max Meldrum (1875–1955) it is different to the use of tone developed by artists such as Leonard da Vinci (1452–1519) and Johannes Vermeer (1632–75).
openaire +1 more source