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STONE: Self-supervised Tonality Estimator
International Society for Music Information Retrieval ConferenceAlthough deep neural networks can estimate the key of a musical piece, their supervision incurs a massive annotation effort. Against this shortcoming, we present STONE, the first self-supervised tonality estimator.
Yuexuan Kong +5 more
semanticscholar +1 more source
Computer Analysis of Text Tonality Based on the JSM Method
IEEE Conference of Russian Young Researchers in Electrical and Electronic Engineering, 2019The necessity of taking into account the coefficient of emotionality of lexemes to assess the emotionality of the text, which should be taken into account in voice control systems, is substantiated. The reduction of the JSM method was made, which made it
Felix A. Desyatirikov +4 more
semanticscholar +1 more source
Music Tonality Detection Based on Krumhansl-Schmuckler Profile
IEEE Joint International Information Technology and Artificial Intelligence Conference, 2019Because music tonality detection plays an important role in content-based music retrieval, music structure analysis, melody analysis and chord transcription, it has been one of the research hotspots of music information retrieval (MIR).
Yuren You +3 more
semanticscholar +1 more source
ICON, 2018
This contribution focuses on structural similarities between tonality and cadences in music on the one hand, and rhythmical patterns in poetic languages respectively poetry on the other hand. We investigate two exemplary rhythmical patterns in modern and
Hussein Hussein +2 more
semanticscholar +1 more source
This contribution focuses on structural similarities between tonality and cadences in music on the one hand, and rhythmical patterns in poetic languages respectively poetry on the other hand. We investigate two exemplary rhythmical patterns in modern and
Hussein Hussein +2 more
semanticscholar +1 more source
2018
Tonalism is an often under-appreciated aspect of Australian painting, which developed from the mid-1910s to the 1950s. A technique pioneered by Max Meldrum (1875–1955) it is different to the use of tone developed by artists such as Leonard da Vinci (1452–1519) and Johannes Vermeer (1632–75).
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Tonalism is an often under-appreciated aspect of Australian painting, which developed from the mid-1910s to the 1950s. A technique pioneered by Max Meldrum (1875–1955) it is different to the use of tone developed by artists such as Leonard da Vinci (1452–1519) and Johannes Vermeer (1632–75).
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2019
Tonality is a ubiquitous term in musical discourse as indispensable as it is obfuscating. Typically, the term tonality (and more generally, “tonal music”) references the pitch-centric “common-practice” language of the transposable major and minor key system within which most classical music has been composed in the West from at least the mid-17th ...
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Tonality is a ubiquitous term in musical discourse as indispensable as it is obfuscating. Typically, the term tonality (and more generally, “tonal music”) references the pitch-centric “common-practice” language of the transposable major and minor key system within which most classical music has been composed in the West from at least the mid-17th ...
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1999
AbstractGives an account of tonality, and why tonality is central to our musical tradition Shows that the attempt to replace tonality with atonal or serial forms of musical order threatens the foundations of musical perception, and explores the various ways in which music can depart from tonality while still maintaining its character as an object of ...
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AbstractGives an account of tonality, and why tonality is central to our musical tradition Shows that the attempt to replace tonality with atonal or serial forms of musical order threatens the foundations of musical perception, and explores the various ways in which music can depart from tonality while still maintaining its character as an object of ...
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2000
Abstract THE development of a harmonic rather than a melodic theory of structuring music was rather different in England than it was on the Continent. Whereas many European theorists sought to explain major and minor keys through the modes, in England the two concepts were treated almost entirely separately.
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Abstract THE development of a harmonic rather than a melodic theory of structuring music was rather different in England than it was on the Continent. Whereas many European theorists sought to explain major and minor keys through the modes, in England the two concepts were treated almost entirely separately.
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Tonality and Atonality in Sixteenth-Century Music
, 2023Edward E. Lowinsky
semanticscholar +1 more source
2020
The balletto and canzonetta have highly regulated strophic sectional forms. Three characteristics of these forms facilitate tonal expectation: they are comprehensible, and can easily be segmented by a naïve listener, they are highly repetitive, facilitating statistical learning and directing listener attention toward higher structural levels, and they ...
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The balletto and canzonetta have highly regulated strophic sectional forms. Three characteristics of these forms facilitate tonal expectation: they are comprehensible, and can easily be segmented by a naïve listener, they are highly repetitive, facilitating statistical learning and directing listener attention toward higher structural levels, and they ...
openaire +1 more source