Results 121 to 130 of about 5,175 (172)

MAPPING “TOUT-MONDE”

2014
exaly   +2 more sources

Mondialité ou mondialisation ? Le Tout‑monde et le Tout‑empire

Cahiers du plurilinguisme européen, 2011
Aussi fertile qu’ambitieuse, l’écriture d’Édouard Glissant a choisi pour objet la dynamique accélérée d’un monde en voie de créolisation généralisée : le Tout‑monde. Les formules (rhizome, tourbillon, galaxie…) et les concepts qui tentent de cerner cet objet sont donc soumis à une régénération continue qui suit des procédures caractéristiques ...
exaly   +3 more sources

L’autre visage du Tout-monde

Esprit, 2020
Selon la pensée du Tout-monde proposée par Édouard Glissant, la mondialisation rend insoutenable la relation organique entre le monde et la Terre. Mais il est encore possible de recourir à l’imaginaire.
openaire   +1 more source

Fictions of Identity and the Identities of Fiction in Tout-monde

2014
exaly   +2 more sources

SITES OF RELATION AND “TOUT-MONDE”

Angelaki, 2019
AbstractThis essay tracks the movement in Edouard Glissant’s work from thinking relationality as creolisation to Relation as such, to a globalised sense of cultural contact and transformation he calls tout-monde. This movement is informed by the critical meaning of the Caribbean as a historical and memorial experience, figured as the archipelago, and ...
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.2 Transnational Languages in Glissant’s ‘Tout-monde’

2008
exaly   +2 more sources

Edouard Glissant, Littérature-monde, and Tout-monde

Small Axe: A Caribbean Journal of Criticism, 2010
To someone who studies the Caribbean, a striking feature of the 2007 Litterature-monde manifesto is its deep debt to the thought of one of its most prestigious signatories: Edouard Glissant. The very title of the manifesto hints at this influence, through its use of the hyphenated "litterature-monde" formulation, which echoes many of Glissant's ...
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Therechercheas “tout-monde:” toward a francophone proust

Contemporary French and Francophone Studies, 2005
Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether
openaire   +1 more source