Results 31 to 40 of about 8,041 (154)

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

“It Looks as if They Threw the Entire Periodic Table Into the River”: A Decolonial Perspective for Chemistry Education in the Context of Environmental Injustices

Science Education, Volume 109, Issue 6, Page 1652-1668, November 2025.
ABSTRACT In this article I explore the case of the Mariana dam disaster in 2015 in Brazil seeking to contribute to reflections about the role of chemistry and chemistry education in environmental injustices. Drawing on stories about this disaster shared in the Dead River Podcast (2024), on wider literature and on other cases of environmental injustices
Haira E. Gandolfi
wiley   +1 more source

Moby Dick: la obsesión de la muerte como destino manifiesto

Káñina, 2017
Este artículo plantea la obsesión, rayana en locura, que posee al capitán Ahab en un afán de venganza que supone no solo su muerte, sino la de los demás marineros a su cargo.
Óscar Alvarado Vega
doaj   +1 more source

Tragedia y Carácter Moral. Comentarios a El saber del error. Filosofía y Tragedia en Sófocles de Rocío Orsi

Revista Discusiones, 2015
Tomando como hilo de Ariadna el libro de Rocío Orsi, El saber del error. Filosofía y Tragedia en Sófocles, en este trabajo me propongo una reflexión filosófica sobre cómo el carácter moral de un agente es afectado por una lectura trágica del mundo.
Guillermo Lariguet
doaj   +1 more source

Clothing the Female Life: Self‐Fashioning and Memory Making at the Malatesta Network of Women Between the Fourteenth and the Fifteenth Centuries

Renaissance Studies, Volume 39, Issue 2, Page 216-236, April 2025.
Abstract This article discusses the relationship between women and their garments by examining written, visual, and material sources about dress drawn from the historical records of the Malatesta family. The objective of this research is to understand whether women of this House had any degree of autonomy regarding the garments that they chose to ‘self‐
Elisa Tosi Brandi
wiley   +1 more source

Environmental disasters and ecomodernist beliefs: Insights from a quasi‐natural experiment

Policy Studies Journal, Volume 53, Issue 1, Page 201-231, February 2025.
Abstract This article contributes to knowledge of how environmental disasters affect ecomodernist beliefs, i.e. the view that technology can solve environmental problems. Such beliefs in the general public are key to build mass support for environmental policies relying on large‐scale scientific solutions, but their stability is poorly understood.
Aksel Sundström
wiley   +1 more source

‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies

Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.
Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley   +1 more source

«El castigo sin venganza», a la conquista del repertorio

Anuario Lope de Vega: Texto, Literatura, Cultura, 2018
El artículo da cuenta de todos los montajes de El castigo sin venganza de Lope de Vega, desde su estreno en 1632 hasta 2014, tanto en España como en el extranjero.
Yolanda Mancebo Salvador
doaj   +1 more source

El humor no es chiste: usos clínicos de un decir que no desanuda tragedia y comedia

Desde el Jardín de Freud, 2017
A partir de la lectura económica de Freud sobre el humor como un tratamiento de los afectos, se busca interrogar, elucidar y alentar su uso en el trabajo con sujetos que padecen de psicosis, especialmente de melancolía, depresión o trastorno ...
Matías Laje
doaj   +1 more source

Albert Camus: su experiencia y su teoria de la tragedia

Revista Criação & Crítica, 2013
Camus encuentra en el género trágico un cauce adecuado para su experiencia. Esta experiencia, cuya savia alimenta todos sus frutos literarios, es la del doble rostro de la existencia humana en este mundo.
Inés de Cassagne
doaj   +1 more source