Results 121 to 130 of about 3,635 (238)

Trimerous magnoliid flowers with a unique set of floral and pollen traits from the Late Cretaceous of Southern Bohemia (Czech Republic)

open access: yesNew Phytologist, EarlyView.
Morphospace position and phylogenetic placements of Trimeriantha monopolyada. Summary Floral structure is a key aspect of angiosperm diversity. Recent research revealed that significant floral disparity was already present in the Cretaceous. However, our understanding of early floral diversity remains limited, as it is directly dependent on the fossil ...
Xieting Wu   +7 more
wiley   +1 more source

How Theists Can Answer the “Why be Moral?” Question: An Indirect Reason‐Generation Account

open access: yesAnalytic Philosophy, EarlyView.
ABSTRACT In this paper, I give a new type of theistic answer to the “Why be moral?” question. After briefly clarifying the version of the question I'm concerned with, as well as extant theistic answers to the question, I argue for a new kind of answer. Roughly, while on standard answers, future (post death) benefits directly generate present reason to ...
Justin Morton
wiley   +1 more source

THE SHAPED TOKEN OF THE WORLD TREE IN THE OLD NORSE LINGUOCULTURE: ATTEMPT OF LINGUISTIC AND GENETIC ANALYSIS

open access: yesВестник Кемеровского государственного университета, 2015
The paper provides the linguistic analysis of the World Tree shaped token named Yggdrasil which is one of the most important images of the Old Norse linguoculture. The methods of Linguistic Genetics are used to research this shaped token.
S. S. Kalinin
doaj  

The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet

open access: yesRenaissance Studies, EarlyView.
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley   +1 more source

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s Ecloga sive Idyllion Budae (1503)☆

open access: yesRenaissance Studies, EarlyView.
Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley   +1 more source

Genetic-ecological bases of tree of heaven Ailanthus altissima Swingle adaptation in Serbia

open access: yes, 2000
Analiza prirode interakcija 'genotip-sredina ' obezbedila je razlikovanje tri biološka nivoa adaptivnosti pajasena tj.: (1) ontogenetski, (2) populacioni i (3) filogenetski.
Tucović, Aleksandar   +2 more
core  

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

Obesity and the Politics of Taddeo di Bartolo's Inferno

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

Reading Dürer in Late Sixteenth‐Century Padua: Matteo Macigni (ca. 1510–1582), His Library and the Annotated Institutionum geometricarum (Paris, 1535)

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This article contributes to the history of material culture and intellectual biography by definitively identifying the Paduan scholar Matteo Macigni (ca. 1510–1582) as the author of the annotations found in a 1535 copy of Albrecht Dürer’s Institutionum geometricarum currently preserved in Vicenza.
Laura Moretti
wiley   +1 more source

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