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Ezra Pound’s Troubadour Subject: Community, Form and ‘Lyric’ in Early Modernism

2016
This final case study also acts as a historical ‘coda’ to the trajectory of aestheticist lyric traced within this book. It connects it with the twentieth century and with the better known story of lyric within high modernism. Starting with Pound’s intense historical engagement with lyric in the earliest part of his career, and with his troubadour poem ‘
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The Look of Love: The Gender of the Gaze in Troubadour Lyric

2004
The gaze is often central to troubadour love lyric. As Jean-Charles Huchet observes of Bernart de Ventadorn, who is perhaps the troubadour to give himself up most completely to the rituals of fin’ amor: Chez Bernard de Ventadorn, plus que chez tout autre troubadour…la Dame se donne a voir.
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