Results 21 to 30 of about 13,480 (214)
Vie et survie de la tradition auvergnate
Surrounded by a court of troubadours who sing of its merits and fix its representation for posterity, the Dauphin of Auvergne occupies a central place in the diffusion of the Auvergne troubadour tradition, dominated by the Court of Le Puy.
Elizabeth Poe
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In this paper we present an analysis of the song O que Valença conquereu by the Galician-Portuguese troubadour, Pero da Ponte, dedicated to King of Aragon, James I the Conqueror, composed on the occasion of his conquest of Valencia in 1238.
Jakub Merdała
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BdT 392.29 is a bilingual Occitan-French partimen between the troubadour Raimbaut de Vaqueiras and the trouvère Conon de Béthune. A close investigation of its language, style, contents, contexts of composition and reception leads to reaffirm that both of
Federico Saviotti
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"Na Maria, pretz e fina valors": A New Argument for Female Authorship [PDF]
The canso attributed to Bietris de Roman participates in conventions that readily accommodate the language of desire within the exchange of political and social fidelity, offering another means by which to reconcile female authorship with a female object
Alison Langdon
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Theft! A History of Music [PDF]
Greay Whales Eschristius robustus are the only large whales that are specialized bottom feeders, foraging on bottom sediments. When surfacing after a feeding dive a mud plume is formed at the surface as remaining sediment is strained out between the ...
Aoki, Keith +2 more
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« Tuttor ch’eo dirò “gioi” ». La « joie » appellatif de la dame dans la lyrique romane médiévale
The presence–in a French rondeau transcribed in a recently-discovered Italian fragment–of the appellation formula “douce yoye”addressed to the lyrical I’s beloved inspires a reflexion about the use of the noun “joy” in French (joie), Occitan (joi, joia ...
Federico Saviotti
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My thesis proposes to fill a gap in the literary history of the troubadours by studying in detail the work of the Parisian scholar Sainte-Palaye, that is all the manuscripts that enabled him to work on the troubadours. My aim is to determine what turning
Laure‑Anne Caraty
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Joi jako źródło niepokoju we wspólnotach emocjonalnych trubadurów i trobairitz
This paper aims to analyse the courtly love of the troubadours with a particular focus on the relationship between joi and fear or disquiet. With the background of previous concepts, the model of fin’amor as an emotional community with its basic ...
Michał Sawczuk-Szadkowski
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Language and works of four troubadours in the light of research and in special view of foreign and dialectal forms [PDF]
Die Werke vier bekannter Troubadours - namentlich Wilhelm IX. von Aquitanien, Peire Cardenal, Peire Vidal und Marcabru - werden in Bezug auf Sprache und Inhalt untersucht.
Stasyk, Maria
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ABSTRACT A new archive of oral history interviews from LGBTQIA‐identified alumni, faculty and staff reveals the complex ways that queer and transgender students understood, experienced and remembered the long transition from single‐sex to coeducation at Princeton University.
Ezelle Sanford III +2 more
wiley +1 more source

