Results 1 to 10 of about 235 (84)

La transmission des amorces saisonnières des troubadours aux trouvères : l’hypothèse des mécanismes émotionnels

Revue des Langues Romanes, 2020
The seasonal onsets, which are written as and considered to be topos of the poetic composition, don’t only provide us with information about the ways the natural motif moves along between the poetry of the troubadours and of the northerners, but also ...
Guillaume Oriol
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Un référent musical ? La réception des mélodies de troubadours par les trouvères

Revue des Langues Romanes, 2020
The presumably prolific and numerous encounters between troubadours and trouvères left apparent marks in the lyrical of the latter. The reception of the troubadours’work manifested itself, at musical level, by an early assimilation of Occitan melodies ...
Florence Mouchet
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Troubadours and trouvères in Russian: Contribution to the problem of translating medieval lyrics

Шаги
The article deals with the problem of translating into Russian medieval French and Provencal lyrics of the troubadours and trouvères. The author relies on M.L.
O. V. Smolitskaya
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Mélanie Lévêque-Fougre, En passant par la Lorraine. Poétique et milieu socio-littéraire des trouvères lorrains du xiiie au début du xive siècle

Perspectives Médiévales, 2016
Mélanie Lévêque-Fougre
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« Tuttor ch’eo dirò “gioi” ». La « joie » appellatif de la dame dans la lyrique romane médiévale

Revue des Langues Romanes, 2022
The presence–in a French rondeau transcribed in a recently-discovered Italian fragment–of the appellation formula “douce yoye”addressed to the lyrical I’s beloved inspires a reflexion about the use of the noun “joy” in French (joie), Occitan (joi, joia ...
Federico Saviotti
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Stylistic Syntax of the Middle French Poetical Literary Composition

RUDN Journal of Language Studies, Semiotics and Semantics, 2023
The study suggests some evidence of studying the “poetic style” of the initial stage. The stage corresponds to the mediaeval European period. The actual character of the work is determined by the stable interest to the category under study in the ...
Yuliya P. Vyshenskaya
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De Jaufre Rudel à la littérature en langue d’oïl : échos du topos de l’amor de lonh et poétique de la mémoire affective

Revue des Langues Romanes, 2021
Our analysis aims to highlight some of the particular nuances which enriched the troubadours’ tradition in the XIIth-XIIIth centuries, when many trouveres enjoyed embroidering their verses with the topoï attached to fin’amor, or even borrowing them ...
Luminiţa Diaconu
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Épisodes de la réception : le partimen d’En Coyne e d’En Raymbaut (BdT 392. 29), ses auteurs et son public (avec une nouvelle édition critique du texte)

Revue des Langues Romanes, 2020
BdT 392.29 is a bilingual Occitan-French partimen between the troubadour Raimbaut de Vaqueiras and the trouvère Conon de Béthune. A close investigation of its language, style, contents, contexts of composition and reception leads to reaffirm that both of
Federico Saviotti
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Los géneros satíricos durante el reinado de Alfonso X en la poesía gallegoportuguesa y otras tradiciones líricas romances

Revista de Poética Medieval, 2021
El presente trabajo analiza qué características singularizan la sátira trovadoresca gallegoportuguesa respecto a la cultivada en otras tradiciones líricas.
Santiago Gutiérrez García
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Review of O’Neill, Mary. 2006. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford and New York: Oxford University Press

Current Musicology, 2007
Mary O’Neill’s book makes a valuable contribution to our understanding of an important monophonic repertory that has received relatively little attention from musicologists, despite its preservation in numerous manuscripts.
Susan Boynton
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